Smock weaving is not just an art form; it is a reflection of a community’s identity, history, and pride. In Daboya, a small town nestled in the Northern Region of Ghana, the tradition of weaving smocks has been passed down through generations. The craft has become synonymous with the town’s culture, with each piece intricately woven, representing more than just clothing. It signifies an enduring heritage, a livelihood, and a source of cultural pride for the Daboya people.
In this article, we delve into the history, process, and significance of Daboya Smocks and weaving; exploring how this traditional craft continues to thrive amid modernization. From the methods used by skilled weavers to the social and economic impact of the practice, we’ll uncover why Daboya smocks weaving remain a vital part of the community’s fabric.
Introduction to Daboya Smocks
The craft of smock weaving is deeply rooted in the history and culture of the northern regions of Ghana, particularly in the Daboya area. This town has earned a reputation as one of the most important centres for this unique form of textile art. Smocks, or “fugu,” as they are known locally, are intricately woven garments worn by both men and women. They are made from cotton and traditionally come in a variety of colours and patterns that hold significance for the wearer.
Smock weaving is not only about creating beautiful garments; it is also a means of preserving the cultural heritage of the people of Daboya. The designs and patterns reflect the community’s history, the weavers’ artistry, and the connection between the people and their surroundings. In a world increasingly influenced by fast fashion and mass production, Daboya’s smock weaving serves as a powerful reminder of the importance of craftsmanship, tradition, and cultural preservation.
Daboya, located on the banks of the Black Volta River, is a thriving town with a population that relies heavily on agriculture, local crafts, and trade. The town has been known for its smock weaving for centuries, with the art form being passed down through generations. The introduction of modern techniques and tools has only added to the richness of Daboya Smock’s weaving culture, ensuring that it remains relevant and respected in contemporary Ghanaian society.
The History of Weaving Daboya Smocks
Smock weaving in Daboya dates back centuries, with its origins deeply intertwined with the region’s cultural history. The craft began as a practical form of textile production for the local communities, particularly for protection against the harsh weather conditions of the northern Ghanaian savannah. Over time, however, it evolved into a significant cultural expression.
The early weavers in Daboya used simple tools, such as rudimentary wooden looms, to create the first smocks. These garments were initially worn for everyday use, offering warmth and protection during the cool nights and mornings of the dry season. As time passed, the weaving techniques and patterns grew more sophisticated, reflecting the influence of various Ghanaian ethnic groups, including the Dagombas and the Nanumbas, who populated the region.
During the colonial era, smock weaving faced significant challenges. The introduction of mass-produced textiles and the commercialization of Western-style clothing led to a decline in demand for traditional smocks. However, despite these challenges, the weavers of Daboya persisted. They continued to produce high-quality smocks that remained popular in local ceremonies, festivals, and religious events.
In recent years, there has been a resurgence in the interest and appreciation for Daboya Smocks weaving. This revival can be attributed to both the local community’s desire to preserve their heritage and the growing global interest in African art and fashion. Today, smock weaving is not only a cultural practice but also a significant economic activity in Daboya.
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The Art of Smock Weaving
Daboya Smock weaving is a complex and meticulous art that requires both skill and patience. Weaving the intricate patterns of a traditional Daboya smocks involve several stages, from preparing the raw materials to completing the final garment. The weavers of Daboya have honed their craft over generations, developing a deep understanding of the process and the symbolism behind each design.
At the heart of smock weaving is the use of handlooms, which are used to weave the cotton fibres into fabric. The loom itself is a simple yet ingenious device, consisting of wooden frames and strings. The weaver carefully threads the cotton fibres through the loom, creating a tightly woven cloth that forms the base of the smock.
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Traditional patterns and designs are a key feature of Daboya Smocks. Each pattern has its own significance, often symbolizing aspects of the weaver’s life or reflecting important cultural or spiritual beliefs. For example, some patterns represent the weaver’s family lineage. In contrast, others are associated with particular seasons or events, such as harvests or weddings.
The colours used in the smocks also have meanings. White, for instance, symbolizes purity and peace, while dark colours like blue and black often represent strength and resilience. These colour choices are not just aesthetic; they carry deep cultural significance, and every Daboya Smock tells a story through its patterns and hues.
The Weaving Process: From Start to Finish
Creating a traditional smock involves a series of steps, each requiring precision and attention to detail. The process starts with the preparation of the cotton fibres, which are sourced from local farms. Once harvested, the cotton is cleaned and spun into thread, which is then dyed using natural dyes. This step is crucial, as the colour of the threads will determine the final look of the smock.
Once the threads are ready, the weaver begins setting up the loom. This involves arranging the threads in a manner that enables the creation of intricate patterns. The weaver must be skilled in adjusting the tension of the threads, as any mistake in this stage can affect the final product.
Next, the weaving process begins. The weaver uses the loom to interlace the threads, one at a time, following the desired pattern. This stage requires considerable expertise, as the weaver must ensure that the threads are woven tightly and evenly to create a strong, durable fabric. It can take several days or even weeks to complete a single Daboya Smock, depending on its size and intricacy.
After the weaving is complete, the smock is carefully finished, often with additional embellishments like embroidery or stitching along the edges. The final product is a beautifully crafted garment that reflects the weaver’s skill and creativity.
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Smock Weaving as a Cultural Identity
Smock weaving in Daboya is more than just an art form; it is a central part of the town’s cultural identity. The craft is a source of pride for the people of Daboya, with each smock woven representing a piece of their history, values, and beliefs. Wearing a Daboya Smock is not just a fashion statement; it is a way of connecting with one’s heritage and community.
For many residents of Daboya, smocks are worn during significant cultural events, such as weddings, funerals, and religious ceremonies. These garments are often regarded as symbols of respect and social status. In fact, wearing a Daboya Smock is a way of showing solidarity with one’s community and honouring the traditions that have been passed down through generations.
Daboya Smock weaving also plays a vital role in community life. Weaving is often a communal activity, with several weavers working together to produce garments for various occasions. The act of weaving itself fosters a sense of solidarity and cooperation, strengthening the bonds between individuals and families.
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In addition to its cultural significance, smock weaving is also a way of preserving the traditions of Daboya for future generations. Younger people in the community are increasingly being encouraged to learn the craft, ensuring that the skills and knowledge of the older generation are passed down to the next. This helps maintain the cultural heritage of Daboya while adapting to the challenges of the modern world.
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Daboya’s Role in the Broader Weaving Tradition of Ghana
Daboya plays a crucial role in the broader context of weaving in Ghana. While other regions in the country are known for their own unique weaving techniques and textile production, Daboya is widely recognized as a key hub for the creation of traditional smocks. The town’s weavers have perfected the craft, and their smocks are highly sought after not only locally but also in other regions of Ghana and internationally.
Weaving in Ghana is an ancient practice that dates back to the early indigenous cultures of the country. The tradition has been passed down through generations, with each region contributing its own style and pattern. In the north, the art of Daboya Smock weaving is considered a prestigious craft, one that demands dedication, skill, and a profound understanding of design. Daboya, with its rich history and connection to this craft, has become synonymous with the highest quality smocks in Ghana.
Comparing Daboya Smocks to those woven in other regions of Ghana, it is clear that each community has its own distinctive style. For example, in the Volta Region, the Ewe people are known for their Kente weaving, which uses colourful silk and cotton fibres to create intricate patterns that hold symbolic meaning. Meanwhile, the Akan people from the central and southern regions of Ghana are renowned for their Kente cloth, which is often associated with royalty and ceremonial occasions.
However, Daboya Smocks stand out due to their functional design and cultural significance. The smocks produced in Daboya are not only garments but also a form of storytelling, with each design telling a unique story of the weaver’s family, heritage, or community. The tradition of weaving Daboya Smocks, although similar in technique to other weaving traditions, holds a unique place in Ghana’s textile history.
Moreover, Daboya Smock’s weavers have made significant contributions to the global appreciation of African textiles. Smocks from Daboya are being increasingly incorporated into the modern fashion industry, making them recognized symbols of African heritage worldwide. This contribution extends beyond fashion, as Daboya’s smocks have become iconic representations of Ghanaian culture on the international stage.
Ghana Musician B-wayne in a Smock on stage. Made by Amoah Smocks (+233 50 915 8875)
Economic Impact of Smock Weaving in Daboya
In addition to its cultural significance, smock weaving is a vital economic activity in Daboya. The craft provides a livelihood for many families in the town, with a significant portion of the local population involved in various aspects of the weaving process. From growing the cotton and dyeing the threads to weaving and selling the finished Daboya Smocks, this craft supports not only individual artisans but the local economy as a whole.
The economic impact of smock weaving extends beyond the immediate community of Daboya. Daboya Smocks are sold throughout Ghana and abroad, contributing to both local and national economies. The demand for Daboya Smocks have increased, particularly in urban centres, where people are seeking out authentic, handcrafted African garments. This demand has created opportunities for weavers to expand their businesses, access new markets, and increase their income.
However, despite the economic benefits, smock weavers in Daboya also face challenges. The production of smocks is time-consuming and requires significant expertise, making it a labour-intensive activity. Many weavers struggle to access modern tools and technology that could help streamline production, and there are concerns about the rising cost of raw materials. Additionally, the competition from cheaper, mass-produced garments has posed a threat to the livelihood of traditional weavers.
The government and various organizations have recognized the economic importance of smock weaving in Daboya and have taken steps to support this traditional craft. Initiatives to promote the craft internationally, provide training for younger generations, and improve access to resources have been vital in sustaining this tradition. In recent years, local government support has also included efforts to establish cooperative societies that help weavers access better tools and materials, as well as offering training programs to enhance production efficiency.
Smock weaving, therefore, serves not only as a cultural practice but as a crucial source of income for the people of Daboya, allowing them to maintain their cultural heritage while contributing to the broader economy.
Daboya Smock Weaving and Modernisation
As global fashion trends continue to evolve, the smock weaving tradition of Daboya has faced both challenges and opportunities. The advent of modern technology and the rise of mass-produced textiles have brought changes to traditional weaving practices. While these changes pose a threat to the survival of traditional crafts, they also offer opportunities for innovation and adaptation.
One of the key influences of modernization on smock weaving in Daboya is the introduction of new design concepts. Young people in the community are bringing fresh ideas to the craft, experimenting with different patterns and colour combinations to create more contemporary styles. This fusion of traditional techniques with modern design trends has led to a revitalization of smocks, making them appealing to younger generations who may have previously been more interested in Western-style clothing.
Additionally, modern tools and machinery are being introduced to assist with the weaving process. While traditional handlooms remain central to the craft, some weavers have begun using mechanical looms to increase production and reduce the time required to weave each piece. This has allowed for the production of larger quantities of smocks, making them more accessible to a broader market.
However, this modernization process is not without its challenges. The introduction of technology and modern design concepts must be balanced with the preservation of the authenticity and cultural significance of Daboya Smock weaving. Some traditionalists fear that the introduction of machine-made smocks and mass-production methods could dilute the quality and heritage of the craft. To address this, many weavers are working diligently to ensure that their practices retain the integrity and artistry of the original techniques, even as they embrace innovation.
The evolution of Daboya Smock weaving highlights the delicate balance between tradition and progress. As the craft evolves, it is crucial to ensure that the underlying cultural and historical values of smock weaving remain intact, allowing future generations to enjoy the craft in its authentic form.
Challenges Faced by Smock Weavers in Daboya
Despite the economic benefits and growing recognition of smock weaving in Daboya, the craft faces several significant challenges that threaten its continued success. These challenges range from the decline in interest among younger generations to the impact of globalization on traditional crafts.
One of the major concerns is the declining interest in traditional crafts, particularly among young people. As global fashion trends continue to dominate, younger generations in Daboya may not see the value in learning conventional weaving techniques. Many young people are more inclined to pursue modern, urban careers, viewing the craft of smock weaving as outdated or less financially rewarding. This shift in attitude threatens to erode the skill base needed to sustain the tradition in the future.
Another challenge faced by smock weavers in Daboya is the growing competition from mass-produced garments. With the rise of cheap, machine-made clothing, locally crafted smocks are sometimes viewed as more expensive and less convenient. This has led to a reduction in demand for traditional smocks, especially in urban areas where cheaper alternatives are readily available.
Additionally, smock weavers in Daboya struggle with limited access to resources and training. While some weavers continue to use traditional tools and techniques, others lack the capital to invest in modern equipment or learn new techniques. This makes it difficult for younger or less experienced weavers to enter the profession, creating a gap in the knowledge base and skill set necessary to carry the craft forward.
Finally, climate change and the rising cost of raw materials have added further pressure to the craft. Cotton, the primary material used in Daboya Smock weaving, is becoming more expensive and more complicated to source. As a result, many weavers are struggling to maintain their businesses and sustain production at the same level.
Despite these challenges, the people of Daboya remain resilient. Through local community initiatives, government support, and international recognition, the craft of Daboya Smock weaving continues to thrive, albeit in a changing landscape. The key to ensuring its survival lies in adapting to new circumstances while preserving the heart of the craft.
Joe Mills-of-Rockcity in a Daboya Smock
Celebrating Smock Weaving: Events and Festivals
Smock weaving in Daboya is celebrated not just as an art form but as a pillar of the town’s culture and social life. Various events and festivals throughout the year celebrate the tradition, offering the community a chance to showcase their heritage and craftsmanship. These occasions serve not only as a platform for honouring the craft but also as opportunities to unite the people of Daboya, share stories, and connect with the broader world.
One of the most prominent festivals in Daboya is the Fugu Festival. This annual event is dedicated to celebrating the town’s rich tradition of smock weaving and honouring the significance of the Daboya Smock as a symbol of cultural identity. During the Fugu Festival, weavers from all over the town gather to display their finest smocks, demonstrate their weaving skills, and participate in various cultural performances. The festival also includes traditional dances, music, and feasts, making it a vibrant and joyous occasion for both locals and visitors.
The festival serves as a reminder of the importance of preserving traditional craftsmanship and cultural practices in an increasingly modern world. It draws attention to the intricate work of Daboya’s weavers and promotes their craft to a broader audience. Additionally, the festival has become a venue for networking, allowing weavers to connect with buyers, artisans, and entrepreneurs from across the country and beyond. This has helped increase the demand for Daboya Smocks, giving local artisans a chance to expand their businesses and gain recognition for their work.
The Fugu Festival also provides a platform for education. Local schools and organizations utilize the event to educate younger generations about the history and significance of smock weaving, ensuring that this tradition continues to be passed down. Through workshops and demonstrations, younger people are introduced to the art of weaving, encouraging them to take up the craft and learn from the older generation.
Other regional and national events also highlight the significance of smock weaving. Smocks from Daboya have been featured in major cultural exhibitions, fashion shows, and international trade fairs, giving the craft global exposure. These events allow the artistry of Daboya’s weavers to be appreciated on a world stage, further elevating the town’s reputation as a centre of weaving excellence.
How Smock Weaving Influences Ghana’s Fashion Industry
While Daboya Smock weaving has traditionally been associated with cultural and ceremonial wear, the craft has increasingly become influential in Ghana’s fashion industry. In recent years, smocks from Daboya have gained popularity in modern fashion collections, both locally and internationally. Designers are now incorporating smocks into contemporary clothing, giving them a fresh, stylish twist while maintaining their cultural integrity.
Daboya Smocks are being reimagined and adapted into a variety of fashionable pieces, from casual wear to formal attire. Designers are combining traditional smock fabrics with modern materials, such as silk and polyester, to create a range of garments, including shirts, jackets, dresses, and accessories. This fusion of traditional and contemporary design has given smocks a new, chic appeal, making them more popular among younger generations who are eager to celebrate their cultural heritage while embracing modern trends.
In addition, the global fashion scene has taken notice of the beauty and artistry of smock weaving. As the world becomes increasingly interested in African fashion and products made in Africa, Daboya Smocks are seen as a symbol of authentic African craftsmanship. The international demand for African fashion has enabled Daboya’s weavers to gain recognition on a global scale, further solidifying the region’s presence in the broader fashion world.
Moreover, Ghanaian celebrities and public figures have contributed to the rising popularity of Daboya Smocks. Many have been spotted wearing Daboya’s sure smocks at significant events, both locally and internationally, showcasing the garment’s versatility and elegance. This has significantly boosted the demand for smocks, as people seek to emulate the fashion choices of their favourite public figures.
While smocks were once mainly seen as traditional garments for ceremonial purposes, they are now becoming part of everyday fashion, blurring the lines between traditional and contemporary style. This evolution has revitalized the smock weaving industry in Daboya, enabling it to reach a wider audience and regain a renewed sense of relevance in the fashion world.
Preserving the Smock Weaving Tradition in Daboya
The preservation of smock weaving in Daboya is crucial not only for the town’s identity but also for the livelihood of its people. As with many traditional crafts, there is a risk of losing these skills as the world becomes increasingly modernized and globalized. To ensure that smock weaving continues to thrive for future generations, concerted efforts are being made to safeguard this valuable cultural heritage.
One of the primary strategies for preserving the tradition is through education and training. Local artisans, as well as organizations dedicated to cultural preservation, have initiated programs to teach younger generations the techniques of smock weaving. These programs often involve hands-on workshops where young people can learn how to use looms, spin cotton, dye fabrics, and create traditional patterns. By passing these skills down to the youth, the town ensures that smock weaving will not only continue but will evolve with the times.
In addition to formal training, there are efforts to document the history and techniques of smock weaving. Some organizations are compiling records of the various patterns, designs, and methods used by Daboya’s, creating valuable resources for future generations. These records help to preserve the knowledge of how smock weaving developed over the years and ensure that no aspect of the tradition is lost.
Modern technology has also played a role in the preservation of smock weaving. Online platforms and social media have allowed Daboya’s to showcase their work to a global audience, increasing their visibility and appeal. This, in turn, has sparked interest in the craft, leading to greater demand for Daboya Smocks both within Ghana and internationally. The internet also serves as a tool for weavers to learn from one another, share techniques, and discuss ways to improve their craft.
Government support has also been a key factor in the preservation of smock weaving. The Ghanaian government, along with local authorities, has recognized the cultural and economic significance of the craft and has provided resources to help sustain it. From funding workshops to supporting local initiatives that promote smock weaving, these efforts ensure that Daboya’s is preserved and continues to thrive.
The Future of Smock Weaving in Daboya
The future of smock weaving in Daboya looks promising, with a growing appreciation for the craft both locally and globally. While challenges remain, several factors suggest that the tradition will continue to thrive and evolve.
The first factor is the growing interest in African culture and heritage. As the world becomes more connected and people increasingly seek out authentic, handmade goods, smock weaving has found a place in global markets. The rising popularity of African fashion, particularly in the West, has opened up new opportunities for Daboya’s to showcase their products on an international stage.
Additionally, the younger generation’s involvement in smock weaving offers hope for the future. Many young people in Daboya are embracing the craft, either as a career path or as a way of preserving their cultural identity. With proper training and mentorship from experienced weavers, these young artisans have the potential to innovate and bring fresh ideas to the craft while preserving the tradition.
Innovation is also playing a role in the future of Daboya Smock weaving. While traditional methods remain central to the craft, new technologies, such as computerized looms, are being introduced. These technologies enable greater efficiency and precision in weaving, facilitating the creation of complex patterns and designs. Additionally, the integration of modern materials and styles into smocks has made them more appealing to younger consumers, who often seek garments that reflect both their heritage and personal style.
The future of smock weaving in Daboya also depends on continued support from local communities, organizations, and the government. With ongoing efforts to preserve the craft through education, resources, and exposure, Daboya’s are poised to continue their vital role in Ghana’s tradition.
Conclusion: Embracing the Past, Crafting the Future
Smock weaving in Daboya is more than just a craft; it is a testament to the town’s resilience, creativity, and cultural pride. For generations, the Daboya family has produced intricate, beautifully crafted garments that symbolize the town’s history and traditions. As the world changes, so too does the craft, adapting to new influences while preserving its cultural roots.
The future of smock weaving in Daboya is bright. With a renewed interest in African textiles, government support, and a new generation of weavers ready to take the mantle, the tradition is set to continue thriving. However, efforts to preserve the craft must remain a priority, ensuring that the artistry and techniques of Daboya Smock weaving are passed down for generations to come.
Daboya Smocks are more than just clothing – they are a powerful symbol of heritage, identity, and community. By embracing both the past and the future, smock weaving will continue to be a source of pride for the people of Daboya and an integral part of Ghana’s cultural heritage.
Frequently Asked Questions
What is smock weaving?
Smock weaving is a traditional craft in which cotton is handwoven into fabric to create smocks, garments often worn during ceremonial events in parts of West Africa, especially in northern Ghana.
What are the materials used in smock weaving in Daboya?
The primary material used in smock weaving in Daboya is cotton, which is grown locally. The cotton is spun into thread and dyed with natural dyes before being woven into fabric on handlooms.
How has Daboya Smock weaving contributed to the local economy?
Smock weaving is a significant source of income in Daboya. It provides livelihoods for many families, from farmers who grow the cotton to artisans who weave and sell the finished garments.
Can Daboya Smock weaving be learned by anyone?
Yes, smock weaving can be learned by anyone, especially with proper training. Many local programs and workshops in Daboya teach young people the techniques and skills required to weave smocks.
What role does Daboya Smock play in Ghana’s identity?
Daboya is a key centre for smock weaving, and its tradition plays a significant role in shaping Ghana’s identity. Smocks from Daboya are seen as symbols of pride, cultural heritage, and craftsmanship.
Empty Grave is the most streamed Northern Ghana Music Video
In a groundbreaking achievement for Northern Ghanaian music, the music video for “Empty Grave” by Dr. Pushkin and B-Wayne has officially become the most-streamed music video from Northern Ghana on YouTube, currently nearing 1.6 million views in just seven months.
In a groundbreaking achievement for Northern Ghanaian music, the music video for “Empty Grave” by Dr. Pushkin and B-Wayne has officially become the most-streamed music video from Northern Ghana on YouTube, currently nearing 1.6 million views in just seven months.
Empty-Grave
Shot at the iconic Red Clay Studio in Tamale by visionary director Junaid Timtooni Yakubu and his talented team, the video has now surpassed the legendary “Total Cheat” by Fancy Gadam and Sarkodie. This track held its dominance for eight years.
What makes this milestone even more extraordinary is that “Empty Grave” reached this height without the usual advantages:
No big-name Southern Ghanaian feature
No mainstream media coverage
No industry gatekeeper support or co-sign
Instead, its rise has been powered by its raw authenticity, cinematic brilliance, and a deeply resonant social message—proof that true artistry can thrive on merit and purpose alone.
The track, written by Paul Azunre and Bismark Sombilla and produced by Paul Azunre, Dreamlife & Memory, and Peewezel, stands as a compelling piece of conscious music that refuses to compromise. Its artistic excellence has also been recognised on the international stage, with multiple awards already won and more nominations on the horizon.
Meet the Creative Powerhouse Behind Empty Grave
Directed & Edited by: @timjooni
Director of Photography: @nimbang__
Production Design: @aa_fatawu
Key Grip: @big_nabs
Stylist: Rabiatu Abdul-Aziz
Makeup: @kutidazzles_beauty_parlour
Production Assistant: @salim_marlian
BTS Coverage: @wun.yiko
Title Card Design: @i.mreed
This success is not just a win for the team behind “Empty Grave”, but also for Northern Ghana, for independent artists, and for conscious creatives who dare to tell real stories through their art.
To every supporter who streamed, shared, and believed in this movement—thank you. You’ve helped write a new chapter in Ghanaian music history.
Congratulations to Isolirium Entertainment and the entire “Empty Grave” team! The world is watching—closely.
The United Nations Children’s Fund (UNICEF) has commended Ghana for fulfilling its 2025 vaccine co-financing obligation of USD 24.5 million. This timely payment is expected to bolster Ghana’s immunisation programme significantly, improve child health outcomes, and strengthen the country’s health system.
The United Nations Children’s Fund (UNICEF) has commended Ghana for fulfilling its 2025 vaccine co-financing obligation of USD 24.5 million. This timely payment is expected to bolster Ghana’s immunisation programme significantly, improve child health outcomes, and strengthen the country’s health system.
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A Major Milestone in Vaccine Financing
In a press statement signed by Mr. Osama Makkawi Khogali, UNICEF Representative in Ghana, the complete and timely payment marked a significant achievement in Ghana’s commitment to child health. The country’s efforts to return to pre-COVID-19 financing performance, despite previous economic delays, were praised. “I am proud to stand with the Government of Ghana in celebrating this important milestone,” Khogali stated, emphasising that the payment reflected the government’s prioritisation of child health.
Strengthening Immunisation and Preventing Vaccine-Preventable Diseases
This payment ensures the uninterrupted supply of vaccines, which is crucial for preventing vaccine-preventable diseases and maintaining herd immunity nationwide. UNICEF highlighted that this move would also support the introduction of new vaccines, contributing to a more comprehensive immunisation programme. This is especially important as Ghana works towards reducing the impact of diseases that can be easily prevented through vaccination.
Transitioning Towards Self-Financing Immunisation Services
The statement noted that the payment marks a key moment in Ghana’s Transition Roadmap towards self-financing immunisation services, as development assistance from international bodies like Gavi gradually declines. By fulfilling its vaccine financing obligations, Ghana is taking necessary steps towards greater autonomy in managing its immunisation programmes, which will lead to stronger long-term health security.
Ensuring Long-Term Vaccine Security
UNICEF urged the government to maintain the momentum by strengthening domestic financing mechanisms to ensure long-term vaccine security. Investing in vaccines, the statement emphasised, offers one of the highest returns in public health, noting that prevention through immunisation is far more cost-effective than treatment.
A Significant Win for Child Health
This move represents a significant return to form for Ghana, which had faced delays in 2022 due to economic challenges and increased co-financing demands. The timely payment reflects Ghana’s ongoing commitment to ensuring every child is vaccinated and protected. UNICEF reaffirmed its continued support to the government to achieve universal immunisation coverage and leave no child behind.
This timely financing commitment from Ghana underscores the importance of consistent investments in vaccines to build a healthier, more resilient generation. It serves as a model for other countries working towards similar goals in child health and immunisation.
The National Peace Council (NPC) has equipped community members in the Bawku West District with the tools and skills to foster peace and social cohesion. This initiative, part of the Improving the Economic Resilience of Host Communities for Peacebuilding in Northern Ghana project, involved a two-day capacity-building…
The National Peace Council (NPC) has equipped community members in the Bawku West District with the tools and skills to foster peace and social cohesion. This initiative, part of the Improving the Economic Resilience of Host Communities for Peacebuilding in Northern Ghana project, involved a two-day capacity-building workshop for opinion leaders, minority groups, refugees, and youth. The training aimed to empower these individuals to resolve conflicts, promote tolerance, and build resilience against violent extremism in their communities.
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Training for Peacebuilding and Conflict Resolution – National Peace Council
A total of 24 participants from the communities of Sapeliga, Tarikom, and Widnaba attended the workshop, where they learned about peace, conflict analysis, dialogue, and mediation, as well as strategies for addressing violent extremism. The aim was to develop these individuals into peace champions who could lead conflict resolution efforts, promote social harmony, and help others understand the importance of peaceful co-existence.
“The presence of refugees and minority groups from different cultural backgrounds means that social dynamics are under pressure. For peaceful co-existence to be possible, we must build their capacity in conflict resolution and social cohesion,” said Mr. Damien A. Asobayire, Upper East Regional Executive Secretary of NPC. The project, funded by the United States Department of State, the UNDP, and the IOM, aims to empower local leaders to engage in peacebuilding efforts actively.
Addressing Social Tensions in Host Communities
Ms. Abigail Asana, a participant from Sapeliga, shared a personal story about the tensions between refugees and host community members, particularly regarding shared resources such as water. “There is no borehole for the refugees, so they depend on our community borehole. With the increased number of people, there’s always pressure on the borehole, causing discontent,” she explained.
Such situations, if not addressed, could easily lead to conflict. However, after the training, Ms. Asana felt better equipped to mediate and promote peaceful co-existence, with plans to share her newfound knowledge with her community.
Strengthening Social Cohesion and Unity
The workshop aimed to foster culturally diverse yet cohesive communities, where all groups, including youth, women, and minorities, can actively participate in maintaining peace and security. Mr. Isaac Anongwin, the Assemblyman of Tarikom, emphasised the importance of the knowledge gained in facilitating peace in his electoral area. “This training will help me to champion social cohesion in my community,” he said.
The participants were trained to be proactive in identifying early signs of conflict, allowing them to address potential issues before they escalate.
Early Warning Systems for Conflict Prevention
Mr. Ali Anankpieng, a facilitator and former Regional Executive Secretary of the NPC, emphasised the importance of being vigilant for early warning signs of conflict. He emphasised that the timely detection of these signs is crucial for preventing disputes and ensuring effective, constructive dialogue. “The ability to act early is crucial in preventing conflict and promoting peaceful resolution,” Anankpieng stated.
Empowering Local Communities for Long-Term Peace
The ultimate goal of this initiative is for participants to return to their communities and lead peacebuilding efforts, helping to identify and respond to conflicts before they escalate into crises. The NPC’s training program provides vital tools to support not just short-term conflict resolution, but also the development of long-term peace and social cohesion in the region.
By equipping community leaders and key figures with the knowledge and skills to promote peace, this project is laying the foundation for a more united and peaceful future in Bawku West.
EU-LEAN Project Gains 2 be sustained – World Vision Ghana
World Vision Ghana has urged communities that benefited from the European Union-funded Landscapes and Environmental Agility across the Nation (EU-LEAN) project to take full ownership of the interventions and work towards sustaining the gains made. The project, which concluded in April 2025, was implemented by a consortium of organisations, including the Rainforest Alliance, Trope
World Vision Ghana has urged communities that benefited from the European Union-funded Landscapes and Environmental Agility across the Nation (EU-LEAN) project to take full ownership of the interventions and work towards sustaining the gains made. The project, which concluded in April 2025, was implemented by a consortium of organisations, including the Rainforest Alliance, Tropenbos Ghana, EcoCare Ghana, and World Vision Ghana, and focused on enhancing environmental sustainability and improving livelihoods across Ghana’s savannah, high forest, and transition zones.
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Empowering Communities for Long-Term Sustainability
Speaking at the project’s close-out ceremony in Paga, Kassena-Nankana West District, Mr. Rexford Yamdorg Bugre, Regional Operations Manager for the Northern sector of World Vision Ghana, emphasised the importance of community ownership. “These areas of protection or conservation do not belong to World Vision; they are owned by the community, so sustain the gains made so that in years to come, you will benefit from these interventions,” he stated. He urged the communities to carry forward the lessons learned and maintain the environmental and economic improvements initiated by the project.
Restoring Degraded Land Through FMNR
One of the key approaches employed in the project was Farmer Managed Natural Regeneration (FMNR), an effective and low-cost technique for land and forest restoration. This method enables communities to restore degraded landscapes by managing and protecting existing trees and shrubs, which naturally regenerate. The technique has been instrumental in restoring 411 hectares of land in the Kassena-Nankana West and West Gonja Districts, improving soil fertility and increasing climate change resilience.
Through this process, smallholder farmers have gained the tools and knowledge to manage their natural resources sustainably, reduce bushfires, and improve their farming practices. This has not only helped in land restoration but also in enhancing the community’s resilience to climate change.
Alternative Livelihoods for Reduced Environmental Dependence
In addition to the environmental interventions, the EU-LEAN project introduced alternative livelihood options to reduce communities’ dependence on the environment for survival. One notable initiative was the distribution of 200 beehives and accessories to 171 smallholder farmers. This initiative, alongside the harvest of 51 gallons of honey, has generated income, with the honey valued at GH₡20,400.00. These initiatives have diversified the sources of income for families, contributing to their long-term economic stability.
Capacity Building for Smallholder Farmers
The project also focused on building the capacity of smallholder farmers. Approximately 500 farmers were trained in FMNR techniques, enabling them to enhance their agricultural productivity and adopt climate-resilient farming methods. The project’s efforts also included producing and planting 134,061 tree seedlings across the 50 participating communities. These efforts have made a significant contribution to the region’s environmental regeneration.
Financial Inclusion and Local Empowerment
An essential component of the EU-LEAN project was the establishment of 115 Saving for Transformation (S4T) groups. This local banking system allowed members to save and access small loans. More than GH₡1 million was saved, and over 2,800 people were able to access small loans, enabling them to address emergencies and expand their small businesses. This has promoted financial inclusion and empowered community members to improve their livelihoods.
Celebrating Success and Commitment to the Future
Mr. Robert Dampare, Chair of the LEAN Landscape Management Board in Kassena-Nankana West District, commended World Vision Ghana and its partners for their successful implementation of the project. He highlighted its positive impact on restoring degraded lands, improving food security, and boosting incomes in many communities. As the project concludes, stakeholders are hopeful that the community-driven interventions will continue to thrive, ensuring a sustainable and resilient future for the regions involved.
World Vision Ghana’s focus on empowering communities and building long-term resilience through the EU-LEAN project is a model for sustainable development and environmental stewardship that can be replicated across other regions.
105 Women Farmers Receive Certified Seeds from CAPECS Ghana
The initiative, spearheaded by CAPECS Ghana in partnership with the United Nations Development Programme (UNDP) Ghana, and funded by the Governments of Denmark and Luxembourg, aims to empower vulnerable women farmers through climate-smart agriculture and sustainable livelihoods.
A total of 105 smallholder women farmers in Suke, Lambussie District, have received a crucial boost to their agricultural endeavours with the provision of certified seeds. The initiative, spearheaded by CAPECS Ghana in partnership with the United Nations Development Programme (UNDP) Ghana, and funded by the Governments of Denmark and Luxembourg, aims to empower vulnerable women farmers through climate-smart agriculture and sustainable livelihoods.
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Empowering Women for Sustainable Agriculture – CAPECS Ghana
The initiative’s goal is to enhance food security in the region by providing women farmers with the necessary resources to adopt climate-resilient farming practices. The support package included certified seeds of maise, soybeans, and cowpeas, as well as organic manure, designed to enhance crop production and increase economic resilience.
Mr. Abu Dokuwie Alhassan, Executive Director of CAPECS Ghana, emphasised the importance of investing in women farmers. “Investing in women is key to unlocking innovative solutions that enhance productivity and ensure sustainable food security for all,” he remarked during the seed presentation ceremony.
Climate-Smart Agriculture for Resilience
This project aligns with CAPECS Ghana’s flagship initiative: “Boosting Women’s Economic Resilience and Inclusion in Decision-making and Peacebuilding.” It focuses on empowering women with the resources, skills, and knowledge necessary to thrive in climate-smart agriculture, addressing challenges like poverty, hunger, and malnutrition.
By enabling women to adopt sustainable agricultural practices, the initiative also aims to build long-term resilience against climate-related shocks.
Promoting Peace and Social Cohesion
Mr. Alhassan also highlighted the broader impact of the project, stressing that it would not only strengthen the livelihoods of women farmers but also foster peace and social cohesion within Suke and its surrounding areas. He noted, “I believe that this project will strengthen livelihoods, maintaining peace, and strengthening social cohesion within Suke and its environs.”
Through these initiatives, CAPECS Ghana is working to create a more peaceful and cooperative community, where women play a central role in driving development.
A Commitment to Empowerment and Peacebuilding
CAPECS Ghana’s commitment extends beyond agriculture, with a focus on empowering women to play a pivotal role in peacebuilding and local decision-making. Mr. Alhassan reiterated, “CAPECS Ghana and its partners are committed to empowering and building women’s capacity to play a crucial role in the development of communities and ensure peaceful co-existence to curb violent menace.”
Gratitude and Commitment to Food Security
The women beneficiaries expressed deep gratitude for the support, pledging to use the resources to improve their livelihoods and contribute to national food security. This initiative stands as a testament to the power of empowering women, enhancing agricultural productivity, and ensuring sustainable food systems for the future.
Through this strategic partnership, CAPECS Ghana, UNDP, and their partners are driving lasting change in Suke, fostering stronger, more resilient communities while also contributing to national agricultural development.
Revitalising Creative Industries at PANAFEST and Emancipation Day
The 2025 PANAFEST and Emancipation Day celebrations took place from July 18 to 19 at the Pikworo Slave Camp in Paga, Upper East Region, under the theme “Let Us Speak of Reparative Justice – Pan-African Artistic Activism.” This two-day event not only paid tribute to Africa’s painful…
The 2025 PANAFEST and Emancipation Day celebrations took place from July 18 to 19 at the Pikworo Slave Camp in Paga, Upper East Region, under the theme “Let Us Speak of Reparative Justice – Pan-African Artistic Activism.” This two-day event not only paid tribute to Africa’s painful history but also called for justice, healing, and a renewed commitment to the African diaspora’s cultural and artistic roots.
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A Tribute to Africa’s Enduring History
The event highlighted Africa’s enduring history of the Trans-Atlantic slave trade and the continued struggle for reparative justice. One of the major highlights was a symbolic walk from Navrongo to Paga, alongside cultural performances and exhibitions. The night vigil was particularly moving, as it honoured the enslaved ancestors who endured unimaginable suffering. A grand durbar brought together traditional leaders, diaspora communities, students, and government officials to reflect on the continent’s painful past and advocate for reparative justice.
Urgent Call for Preservation of Heritage Sites
Wisdom Korbla Ahadzi, the Upper East Regional Director of the Ghana Tourism Authority, emphasised the urgent need to protect and preserve the Pikworo heritage site. “We need urgent government support to protect this heritage site. A fence wall and improved infrastructure will go a long way to enhance heritage tourism and education,” he stated. This reflects the region’s ongoing efforts to preserve and showcase its rich cultural history while fostering educational opportunities.
Supporting Creative Industries and Youth Engagement
Upper East Regional Minister Donatus Akamugri Atanga called on all stakeholders to deepen partnerships in cultural education and support the creative arts sector. He urged: “Let us use this moment to support creative industries, engage the youth, and build stronger ties with the African diaspora.” Atanga’s call underscores the significance of cultural education and the creative industries in the region’s development and beyond.
A Celebration of Culture and Tradition
The festival featured a vibrant mix of attendees, including political figures, educators, clergy, students, and members of the general public. The celebration grounds came alive with traditional food vendors, art exhibitions, and cultural performances, especially from local schoolchildren, showcasing the region’s rich heritage and creative talent.
Honouring the Past with Unity and Hope
The event concluded with a solemn procession to the burial site of enslaved persons, where wreath-laying ceremonies and traditional rites were held. This act of remembrance, unity, and hope served as a powerful symbol for future generations, reinforcing the importance of acknowledging the past while working toward a united, culturally rich future.
The 2025 PANAFEST and Emancipation Day celebrations were not only a tribute to the resilience and strength of the African diaspora but also a clarion call to support and uplift the creative industries, engage the youth, and preserve cultural heritage for future generations.
5 Urgent Actions Needed to Save the Bolgatanga Basket Industry Amid Exchange Rate Crisis
The Bolgatanga basket-weaving industry, once a thriving source of livelihood for over 100,000 people across the Upper East Region, is now on the verge of collapse. Rising production costs, an unstable exchange rate, and a lack of strategic policy interventions have left the industry grappling for survival.
The Bolgatanga basket-weaving industry, once a thriving source of livelihood for over 100,000 people across the Upper East Region, is now on the verge of collapse. Rising production costs, an unstable exchange rate, and a lack of strategic policy interventions have left the industry grappling for survival. Stakeholders are sounding alarms about the urgent need for national action.
During a recent stakeholders’ forum in Bolgatanga, Mawuli Akpenyo, CEO of Delata Ghana, expressed grave concern about the industry’s future. He pointed out that the rapid depreciation of the Ghanaian cedi has made baskets unaffordable for buyers. “A few months ago, $10 translated to about GHS150. Today, that same $10 is barely GHS100. Meanwhile, the cost of producing a quality Bolga basket has risen to GHS120 or more,” he explained. This sharp increase in costs is primarily driven by surging prices for raw materials, including straw, which has doubled from GHS 10 to GHS 20 per bundle. Additionally, transportation and packaging expenses have further inflated production costs.
Akpenyo stressed the unsustainability of the situation, as producers are now working at a loss, unable to raise prices abroad, where many of the baskets are sold. Without urgent intervention, the industry is at risk of total collapse.
Exchange Rate Volatility Disrupts Exports
Morten Ledskov, an international buyer from Hammershus Company, added his voice to the growing concerns, citing the sharp appreciation of the cedi—from 17 to 12 per Euro—as a significant disruption to exports. “If this continues, there could be a complete halt in Bolga basket production,” Ledskov warned, underscoring the urgency of finding a sustainable solution to the exchange rate crisis. He suggested that local straw cultivation should be commercialised as a way to reduce the dependency on sourcing from southern Ghana, providing a more stable and regional supply chain.
A Call for Local Straw Cultivation
Ledskov’s call for local investors to treat straw farming as a viable enterprise is echoed by others in the industry. Instead of relying solely on donor-funded initiatives, he advocates for a market-driven approach to straw farming, which could help stabilise the supply chain and lower costs. “If people can sell dyes, why not straw?” he asked, urging a shift towards commercialising local production.
Making Bolgatanga Baskets
Government Action and Policy Support
Upper East Regional Minister Donatus Akamugri Atanga acknowledged the seriousness of the crisis and stressed the need for a coordinated national response. He proposed the establishment of quality assurance centres, semi-industrial finishing hubs, and policy support for sustainable straw cultivation to help stabilise the industry. “This craft is a source of livelihood for over 10,000 women and youth. If we don’t act now, the industry could collapse,” Atanga warned.
Ensuring a Stable Supply Chain for the Future
Conrad Biilarh Duti, Program Manager at TradeAID Integrated, also addressed the challenges facing straw sourcing. Traders often face long delays in acquiring sufficient quantities of straw, making it difficult to maintain production schedules. Duti recommended integrating straw cultivation into national programs, such as Tree for Life and One District One Dam, to ensure a stable and sustainable supply of this critical raw material.
Urgent Call for Policy and Investment
As the crisis deepens, stakeholders are calling on the Ghana Export Promotion Authority (GEPA), policymakers, and private investors to step in and save the Bolgatanga basket industry. The sector, a cornerstone of Ghana’s craft export industry, plays a vital role in the cultural heritage and economic well-being of the Upper East Region. Without immediate action, the future of this iconic industry remains uncertain, posing a threat to the livelihoods of thousands of people and Ghana’s craft export sector.
Making Bolgatanga BasketsBolgatanga BasketsMaking Bolgatanga Baskets
Ghana Youth Guide is Empowering Farmers 1 Community at a time
Ghana Youth Guide, a youth-led advocacy organisation, recently hosted a two-day capacity-building workshop aimed at equipping smallholder farmers in the Tolon District of the Northern Region with vital knowledge on sustainable agricultural practices. The training, which benefitted 290 farmers, is part of their flagship initiative…
Ghana Youth Guide, a youth-led advocacy organisation, recently hosted a two-day capacity-building workshop aimed at equipping smallholder farmers in the Tolon District of the Northern Region with vital knowledge on sustainable agricultural practices. The training, which benefitted 290 farmers, is part of their flagship initiative, the “Empowering Ghanaian Youth for Sustainable Agriculture (R2C) Project,” supported by DIB and CISU, Denmark-based organisations.
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Ghana Youth Guide is Empowering Farmers 1 Community at a time
A Strong Focus on Resilience and Sustainability
The workshop brought together participants from five communities in the district, including Waribogu Kamonaayili, Tolon Galinkpegu, Gbanjong, and Gbulahgu. The initiative’s core focus was to help farmers enhance their understanding of climate-resilient agriculture and strategies for food security. Mr. Prince Chentiwuni Abdul-Fatawu, the Executive Director of Ghana Youth Guide, emphasised the importance of adapting to climate challenges for increased agricultural productivity.
“This training is part of a broader strategy to empower young farmers, ensuring they can navigate climate challenges and maintain productivity,” he said during the workshop.
Ghana Youth Guide is Empowering Farmers 1 Community at a time
Addressing the Challenges of Climate Change
As global climate patterns continue to change, Mr. Abdul-Fatawu emphasised the importance of farmers being well-informed about weather patterns and adopting techniques that enhance soil fertility. The participants were educated on effective planting and harvesting techniques, as well as how to reduce post-harvest losses. These insights are crucial for improving crop yields and minimising waste in the face of unpredictable weather conditions.
Women Farmers and Sustainable Agriculture
Mr. Abdul-Fatawu also highlighted the importance of involving women farmers in the government’s Feed Ghana Project. He urged that women farmers in deprived communities should be prioritised to address hunger, deprivation, and malnutrition in the region. The empowerment of women is key to sustainable agricultural growth in the district, and this workshop is a step toward achieving that goal.
Ghana Youth Guide is Empowering Farmers 1 Community at a time
Strengthening Agricultural Practices Through Collaboration
Mr. Abdul-Fatawu Seidu, a representative from the Tolon District Department of Agriculture, also addressed the farmers, urging them to use high-quality seeds and adopt modern agricultural practices. His presentation stressed the importance of these techniques for improving long-term farm sustainability and increasing yields. He also recommended that farmers form groups to access government interventions promoting sustainable farming practices.
Practical Tools for Success
As part of the initiative, participants were provided with essential agricultural and sanitation materials, including hand-washing kits, detergents, and farming tools such as wheelbarrows and rakes. These tools, combined with the new skills acquired during the workshop, are expected to help farmers increase their agricultural productivity and improve their livelihoods.
The farmers, many of whom belonged to vulnerable groups, including persons with disabilities, expressed their appreciation for the training. They pledged to apply the knowledge and skills they gained to enhance their farming practices and contribute to the region’s agricultural development.
By empowering smallholder farmers with the knowledge of sustainable practices, Ghana Youth Guide is playing a crucial role in improving agricultural productivity in the region, ensuring that farmers are better equipped to face the challenges posed by climate change.
Ghana Youth Guide is Empowering Farmers 1 Community at a time