Recounting the Good Old Days as a Ghanaian Child

In this article dubbed the “Good old Days”, a student journalist recounts the nostalgia from old. He reminds readers of the fun games that made the childhood of most Ghanaians exciting. The Good Old Days is a journey that takes you through the intricate friendships and support that govern societal living. It draws the inner child in every reader whilst drawing their attention to the contrast of now and yesteryear. Take a dive into something that will make you smile and call old old friends. It is the Good Old Days by Edwin Abanga.

Good old days – bambam

A group of children huddled together in a circle, in the middle of the untarred road clapping and slapping their bare hands over their thighs as they sang their hearts out merrily and played;


“bam bambambalika

baaambaambambaalika

bambaambambalika,
have you seen your friend

shakeyshakey shake your body,

shakeyshakey shake your body,

shakeyshakey shake your body have you seen your friend”.

Not everyone could participate

The younger kids who were not allowed to join the park for the sheer childhood reason of being “underage” satisfied themselves by dividing themselves into two different groups and played “Police and Thief”. Each player secured a stalk from a pawpaw tree, broke awake the leafy end and used it as a Pump Action gun affectionately called “Kafungbe” among the kids.

The better skilled kids divided the stalk into several uneven parts and joined them together by inserting broomsticks into them; it was done so dexterously that it easily passed for a pistol.
Though there were little less than fifteen children in all, the noise they made out of their sheer ecstasy was as thunderous as that of a hundred kids.

The lone wolf

Kwabena Kwakye, the only albino in the park, was unfortunately the most teased kid. He was teasingly called “anopasaman” which meant, “ghost of the morning”. He joined his peers in playing “Police and Thief” but he was the worst player in the “Thief group”. His light skin color always betrayed his tactics; he was easily spotted from far, arrested and put in an imaginary prison.

Among the lot, Boi bi Boi was the most annoying; he would often run home and get everybody searching till night came, only to be found eating in his mother’s kitchen. The kids, boys and girls alike, will come together after supper in what was like their “court” and discuss what happened at school and whose teacher was the wicked and talk about all the childhood fantasies. Often times they unanimously agree to suspend Boi bi Boi from the play group for ruining their fun, but that little chubby boy always found his way back into the play group, especially when he came around with his black and white case five football.

The thinking Child

The children played, except Abdul-Jaleel. He was seated at one corner with his chin cupped in his palm. He was a very lively lad and was always found in the playgroup, so it was strange to find Abdul-Jaleel sitting alone like he did today. His face looked pale and very unhappy. Kwabena Kwakye was the first to notice Abdul-Jaleel.
“Why are you not playing Jaleel?” he asked.
“I don’t feel like playing” was the curt response.
“But why?” he asked again.
“Kwakye koraa I am hungry don’t disturb me aah!”
“Why don’t you tell your mom you are hungry, have you done something wrong at home?” Kwakye asked again.

There was a Kwakye in the Good Old Days

Kwabena Kwakye was a very warm lad and fond of asking many questions like the rest of his play mates, wanting to find the “why” and “what” of everything he came across.
“If I were you, Kwakye added, I would ask Auntie Yaa for Gari and soak it and drink”.

Abdul-Jaleel shot a quick look at Kwakye like he had given him the answer to Hercules’ riddle. He got up and run to Auntie Yaa, the old lady who runs the grocery store. She was so loving and gave to the kids so freely, they all loved her, not just for the gifts but for also saving them anytime they run into some trouble and were to be beaten at home. She was their source of “salvation “.

Soorebia @ Kimakinna Concert 2016 (youtube.com)


Breaking the rules in the Good Old Days

Abdul Jaleel knew it was the month of Ramadan and was not supposed to be eating until noon as his father had instructed but he just couldn’t stand the desire to taste food not to mention the pangs of hunger that drummed in his belly. Abdul-Jaleel’s father had resorted to having him fast up to noon because of his age but that mischievous little boy had his own way outside the home.

He got what he wanted from Auntie Yaa who added some sugar and groundnut to accompany the mixture. “You will not be part of this year’s Salah celebration, Jaleel”, Auntie Yaa warned teasingly. But Jaleel was way gone with the Gari soakings, he knew he was safe so long as nobody reported to his Mom or Dad, he only had to tell a white lie and he would be gone with it.

“I feel good!” he jumped up after finishing the giant cup of Gari soakings. Auntie Yaa smiled as he watched the young lad, it gave her joy to see little children beam with happiness. Jaleel run off quickly to join the rest of his friend on the street to play. Those were the good old days.

Written by Edwin Abanga, 0249475585 (student journalist)

IF BEEF; THEN GET THE HELL OUT OF THE GAME

What’s Beef?

From obscurity many seek acceptance in mainstream music; from minority ethnic groups many want to be appreciated as a part of the big whole. This has called for the use of varied means to seek relevance and recognition. Many employ “beef” as a tool; however, urbandictionary defines beef as.

“To start a fight, to get into argument with another person, or group of people”.

We all know the results of fights & arguments in the context of beef in hip-hop…

The Surge in Beef

There is a surge in artistes seeking national recognition, global domination and the bliss that comes with being a success musically; however, we all agree that the convention is hard work and a respect for the craft. Hard work, love and respect for the craft is what has seen artistes like Sherifa Gunu, Wiyaala, Atongo Zimba, Rocky Dawuni, King Ayisoba, Delle and several other musicians originally from the savanna of Ghana soar and continue to stay relevant in an industry that is yet to fully develop.

The Struggle for recognition

Many would argue that the bulk of music from the savanna is ethnic and traditional in nature however a generation of hip-hop lovers have gradually crept into the scene; though often popular in their respective regions & towns, efforts by artistes like Soorebia, Saani, S.K.Y the Tamale Boy, Macassio, Fancy Gadam and several others are gradually making inroads into the mainstream music scene in Ghana.

Whilst the whole struggle to make “us” part of the mainstream music industry goes on, other artistes have chosen to beef albeit from absolutely obscure corners of the country.

Why an unknown artiste spends money in a studio to rain insults on another is way beyond my comprehension. Why an underground artiste would go to a studio to pay money and record a response to a diss song beats my imagination. Could it be the warped notion that beef is an element of hip-hop?  Could it be the warped assumption that every hip-hop artiste is a gangster of a gangbanger?

Ataman-Nikita—Enigma

History of Beef

A look at past events across the world would give you the results of “beef,” great artistes have had their lives cut short, amazing Dj’s and producers have died as a result of beef.  Successful careers have been dumped in the bin because of beef.

My focus is on 2 different artistes purportedly at loggerheads. For some time now they’ve directed a lot of energy into lyrically slaying each other, something I attribute to cowardice. If 2 grown men cannot talk reasonably over silly accusations but rather project “gangsterism” in their songs, then they don’t really understand the concept of life and living together. In fact, they might not even be fully immersed in their quest to become success stories in the music arena.

Rap Naygar & Fasetwo are both amazing artistes, even nicer is the fact that they come from the same part of the country; so, what informs their constant dissing of each other claiming to have some street credibility when none of them has a taste of what the streets look and feel like? For underground artistes to dedicate so much energy to nonsense, then they must have reached a “Kanye West” status but NO, I doubt if other than singles any of these guys have sold any laudable number of albums.

In this era of globalization trivialities like beef have no place, you are either seeking success or seeking to be taunted as a failure. Even worse is to have failed for pursuing absurd stupidity.

I am in no way trying to ridicule the 2 artistes; I just need them to understand that an ability to insult and threaten in songs does not validate your existence as a musician. What validates your existence is an ability to dutifully deliver mind-blowing music capable of making you into a Grammy nominee.

“The VGMA’s sef no see you, why would u waste time play a thug”

Any further pursuance of this 1990 mentality is only going to make you an area champion who only gets to mount small stages and spit “venom” only to go back home penniless, your existence as a music act will be confined to either Chiana or Navrongo.  If you fail to recognize that as ambassadors of your respective towns, it is behoved on you to be responsible individuals then GET THE HELL OUT OF THE GAME.

DND-Rapnaygar

John Q: An Unstoppable 1-Man Music Powerhouse of Love

John Q had this to say…“I was however inspired at the age of 12 when I heard Bob Marley’s “One Drop”, but the truth established now is that music is the closest thing to God for me”.

Early Life of John Q.

Every now and then Ghana becomes a centre of attention – mainly because some sons and daughters of this great nation are making massive inroads into all sectors of the world economy especially showbiz and academia. It is therefore noteworthy to officially introduce to you one such fine personality currently makes waves with his brand of reggae music in New York and Jamaica.

Born John Kwesi Quansah in Accra – Ghana, John Q was sent to Rev. John Teye Memorial Institute at age 4; a school noted for producing excellent musicians like Kwame Yeboah. As a pupil of Rev. John Teye Memorial Institute, one was obliged to learn to play the piano, write poetry and sing Mathematics. Even though John Q admired the job of a serviceman, music gradually took over is heart, making him resolve to one day pursue music as a career.

After his basic school education at Rev. John Teye Memorial Institute, he proceeded to Accra High Senior School and migrated to the United States of America to join his mother – this happened just after completing his senior high school education.

Typical of an African in America, he first bagged a bachelor’s degree in biology and food science.

Life in America

The “hassle and bustle” of New York eventually led John Q to meet with the late Gersham Nembhard of Jamaica a great lead guitarist, and also Jerry Anokuma Hanson another great lead guitarist who worked with legendary AB Crentsil Ahenfo band. These two individuals taught John Q to play the guitar.

With the ability to play the piano and guitar, one would assume John Q was gearing to take up music with ease, the realities of life as an emerging artiste taught him to be diligent, patient and also be willing to team up with other musicians. This led to the formation of a band in the Bronx with his two guitar teachers.

As young as John Q was, he had so much to look forward to as his two other band mates where very optimistic of his success as a musician. With the band, they performed at almost every opportunity and young John Q was picking up all the attitude and demeanour that characterizes a successful artistes persona. Unfortunately, he needed a new approach when both his band mates passed away untimely.

At this point John Q decided to write and compose more original songs whilst serving as an executive producer for Jamaican gospel singer Mellow Wayne.

While John’s mother battled Cancer, John Q would help his mother deal with the crisis by talking about music and sometimes sing to her. The pain of an early divorce also forced John Q to take a consolation in music.

“Music has always been my consolation when I encounter challenges in life. My mother Rev. Juliana Solomon Sackey was a schoolteacher and a devoted pastor in Ghana for 30 years, and 20 years in New York; so, her words of encouragement regarding patience and hard work in his pursuit of a successful music career stayed with me every step of the way”…John Q.

A Musical Turn Around

In early 2016 John Q encountered Mr. Sidney Mills, the keyboardist for Steel Pulse Reggae band; Sidney Mills encouraged John Q to visit Jamaica with him, this trip proved extremely beneficial because it provided an opportunity to record John Q’s “Feel Good Reggae” album at Bob Marley’s Tuff Gong studio.

“Recording at Bob Marley’s Tuff Gong studio was a dream come through… Jamaica is the Mecca of Reggae Music and the enormity of what I seek to unleash musically came to bare during my visit, especially my first day at Tuff Gong which coincided with Martin Luther King’s birthday. The various artistes I met whilst in Jamaica took the business of Reggae so serious – I realized I had big shoes to fill in if I want to be a Reggae Star.” …He said.

Being a Reggae music aficionado, John Q puts in a lot of live instrumentation to give his music the grit needed to haunt the conscience of reggae lovers into the “Feel Good” mood.

Notable amongst musicians John Q has worked with are Dean Fraseron a saxophonist, Flabba Holt a Bass guitarist, Squidly Cole and C sharp both drummers, Mike Chung a guitarist, Alvin Smith a percussionist, as well as Bubbler and Sidney Mills both keyboardists.

John Q’s influences come from Reggae music greats like Peter Tosh, Joseph Hill of Culture, Burning Spear, Black Uhuru, MutaBaruka, Jacob Miller, John Holt and many others. For him, the African ancestry of Jamaicans make it easy to fill up the shoes of the above listed artistes with a seamless integration of music as an art form and his Ghanaian culture especially the element of language.

“What makes my reggae unique is that it is a mixture of African and Jamaican vibes sung in 4 languages – Twi, Ga, English and Spanish.”… John Q said.

New Music from John Q

His recent music video was filmed in Portland inside Jamaica and according to John Q, the director/producer of the video Ariff Buttler decided to choose the venue to show the world some of the beautiful scenes that adorn Jamaica. The song is titled “Give Me Love”.

Give Me LOVE

John believes Reggae music is superior to other music genres due to its reliance on positivity and consciousness; giving it the ability to uplift the spirit of many in difficult situations especially the downtrodden.

“Reggae stands as a sign of hope to the poor and weak.” He added.

His latest album titled “Feel Good Reggae”, was released by VP Records in New York who also act as distributors and is currently doing very well. He remains one of the most focused representatives of Ghana Music in the Diaspora. Likened to Dr Pushkin of Isolirium Entertainment, winning is the formula.

John Q’s Discography

Story By Atigsi-Badek Afoko/thesavannaonline

Kawastone & Double Tee releases the ultimate make-up song – Jaande.

 

Who is on Kawastone?

Kawastone is a paceseytter in producing contemporary music from Tamale. One half of the duo Blackstone, he has continued to mesmerise fans with his unique voice. He also doubles as a Radio Presenter. Jaande is is latest song.

Collaborating with Double Tee

When amazing meets astounding, the result is self-revealing. He is one of the few artistes from Tamale whose knack for releasing stupendous music can’t be rivalled. So, just imaging the effect of a collaboration between him and Double Tee, the witty and crafty rapper with a flow better than your favourite rapper; ok, don’t imagine just download and listen.

Double Tee

Jaande travels along the lines of a guy who’s regretted mistreating his lover; thus, a yearn for her return. It recounts the good times they’ve shared and apologizes for all the ill-treatment.

I am definitely sending this song to someone.

Maccasio continues to plague Northern Region’s rap world – 1

Making Maccassio’s Dagomba Girl

Coming on the heels of an honor from the People’s Celebrity Awards is Dagomba Girl by Maccasio. A song that has garnered for the young rapper a huge amount of respect and following. Regarded as Northern Region’s best rapper, in the past year, he has made major music moves with collaborations meant to add significant value to his brand.

Maccasio

He’s worked with Kofi Kinaata on “Work”, Kawastone on “No Puncture”, Zeal on “Inside” and now with Mugeez on “Dagomba Girl”.

In all fairness, I can state emphatically that Maccasio is putting in the work.

All About Maccasio’s Dagomba Girl

Dagomba Girl features one half of R2Bees, Mugeez; originally from the Northern Region but more known as a musician from Tema in Accra. His performance on Maccasio’s Dagomba Girl will finally lay to rest his ethnicity as he effortlessly sings in Dagbanli.

Maccasio-3

The seamless synergy between the two performers makes listening to Dagomba Girl easy. The song is performed in Dagbani & English, giving it a wider appeal. Call it a Dagomba connection and you won’t be wrong. The beautiful tune has a rhythm that fits the current trends and can easily make it unto any deejay’s playlist. The rapper has clearly found his beat, as it works perfectly for his style of rap and music. The video for Dagomba Girl compliments the song, simple setting and story, with sweet visuals.

Other Songs

Last year he collaborated with several artistes. Some of the songs depicted the true artistry of revealing his stature, and others just passed as songs he released. With the release of Dagomba Girl, he can now do a comparison between the successes of his various releases and lean on a style that will project him better.

The artiste recently emerged the Social Media Personality for the year 2017 at the People’s Celebrity Awards held in Accra.

CHECK OUT THE TOP 10 ARTISTES FROM THE NORTH

My personal favourite songs from him include the following:

No Puncture Ft. Kawastone.

Ninsala

Inside Ft. Zeal

Bohasi

Long John

Living with the NECESSARY EVIL

Mankind is destined to control and be controlled; in doing that, we encounter what can be described as a necessary evil or otherwise. In this article, Edwin Abanga takes us through his daily struggle as a young man in Accra. This is an encounter with a Necessary Evil.

You may like this – Khaya App

Encountering the Necessary Evil

Globules of sweat streamed down my face as I stood sandwiched between several other passengers who had missed the opportunity to catch a seat and had resorted to standing in the full to capacity “Kuffuor bus”

I grabbed the single bar that run above my head firmly with my right hand as the bus snailed its way through the long winding traffic.  Very few buses plied the route especially during the “rush hour” so the few that passed got flooded with passengers.

Times have changed, in the past, younger folks who had secured seats would readily offer their seats to older passengers, not to mention a neatly dressed smart looking young man, handsomely adorned in a perfectly pressed crispy white shirt that could easily mirror the reflection of one’s face.

Necessary Evil

The pair of black trousers I wore to match my perfect white shirt was “on point”, I had also not forgotten to cement my good looks with a tinge of Alvin Dior perfume.  The only absent thing here was a smile. I was beaming with smiles earlier, knowing how essential it was for my personality, but the light of smiles was taken away the moment the bus moved and people begun to rub their body against mine. I feared for the fate of my shirt.

I fetched a handkerchief from my pocket to rub the beads of sweat that had gathered across my forehead.

Then suddenly there was a queer rumble in my stomach, I doubted its potency and overlooked it, but the next two rumbles put me on red alert.

I squeezed my butt tighter to contain “the evil”, it appeared to be a fruitless fight but I dare not give up. I had tried for long and I had reached my breaking so I decided to allow it out at least in bits.

I positioned myself strategically, putting one foot ahead of the other. Looking away, I released my grasp and allowed it to descend gracefully. It felt hot and highly flammable as it passed. I knew I had made an evil decision but it was very necessary considering the situation.

Indeed, It’s a Necessary Evil

In the next few seconds “my evil” had diffused into the bus, and people had begun reacting to it, shaking their head in disapproval, and covering their noses. I pulled out a white handkerchief from my breast pocket and covered my nose with it just not to draw suspicion to myself, at the same time listening to the many curses that were being rained on the evil one who had done that.

Silently in my thoughts, I pondered, “Not all wrongs are evil, some are necessary evils”

By:Edwin Abanga

Email: eabanga21@gmail.com

Facebook: Edwin Abanga

Here’s more about Dagaaba and Frafra

My time in a Night Market in Accra

Where is the Lapaz Night Market?

The Lapaz Night Market is an interesting site to behold every night. The pedestrian walkway on the Lapaz stretch of the N1 Highway in Accra is turned into a market centre as the sun goes down. On normal days, pedestrians will be spotted moving in all directions, going about their various duties, child beggars and hawkers are not left out.

Lapaz Night market

How the Night Market starts

The situation changes abruptly when the sun settles below the horizon, the Lapaz Night Market emerges. The night market begins usually after 6:00pm and lasts till after 10:00pm.

For some, the inadequate well-structured market centres in Lapaz and its neighbouring communities, coupled with the immense pressure and overcrowdings in the few available markets, is the reason for this growing menace. The need for a market centre has necessitated the conversion of the pedestrian walkway into a mini market.

NEW MUSIC HERE

What you can find

Among stuff sold on the “walkway –market” include clothes, ladies’ bags, ornaments, shoes and fruits.

Hawkers hoard their wares adopting several interesting techniques to attract the attention of the passer-byers, from singing to ringing of bells, clapping hands and even “aggressive approach system” which is often employed by the clothe sellers.

One could just dump a nice dress on your shoulder as you walk by and tell you how cheap the prize is, and how ready he or she is for a considerable bargain.

Despite the interesting things that take place at the Lapaz night market, the situation poses a lot of threat and inconvenience to drivers, pedestrians and the customers of the night marketers.

Most pedestrians are forced to walk on the road instead of the walkway, some unlucky passer-byers who crush into arranged wares are forced to make payment for the wares especially if they are edible stuff, others runaway with hails of insults on their heads.

By: Edwin Abanga

Email: eabanga21@gmail.com

Facebook: Edwin Abanga

One 9ra Inspires in new song Sal Pawuni

One-9ra

One 9ra’s inspiring Sal Pawuni

When it inspires, I call it art for humans; Sal Pawuni is one such song. One 9ra, the Boss Family singer is here again with something best described as awe-inspiring. This masterpiece of a song can only be attributed to amazing acts.

Despite the fact that One 9ra has lived in Tamale for years, I never really thought he had such command over Dagbanli.  The sultry singer veered from his usual lovey-dovey songs to caution the youth.

About Sal Pawuni

Stating the obvious fact that man isn’t God; he reveals the wicked nature of evil friends who feign love but in actual fact seek your downfall. Relating such people to money, he states that “If man was money, he doubts if one could spend”.

The rhythmic song beautifully lets out the message, of tactfully living with man, and allowing God to truly be your source of wisdom and direction.

One 9ra aka “Son of the North, Son of Africa” is enjoying the ride to stardom with ease. His concentration on what I call good and quality music is preparing him for a peerless stand when he eventually earns his place.

Sal’ Pawuni is a beautiful Dagbanli song for every minute of your life.

Listen and Download Sal’ Pawuni Below.

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