Sheikh Osman Nuhu Sharubutu, the National Chief Imam, has called upon Ghanaians to refrain from politicizing the Bawku conflict and instead join in national efforts to seek a peaceful resolution.

In a statement from his Personal Assistant, Dr. Mohammed Marzuq Abubakari Azindoo, he urged the media to maintain ethical and responsible reporting on the conflict. He emphasized the importance of remaining peace-loving, reconciliatory, and unifying in their coverage. He also cautioned against biased analyses that could further fuel tensions.

The esteemed Mufti has directed Imams nationwide to include segments of their Friday Sermons and offer prayers specifically for peace in Bawku over the coming weeks.

His response follows the recent increase in tension and violence in Bawku.

He urged the promotion of peace and unity in the Bawku Traditional Area, regardless of ethnicity, religion, or political views.

He voiced his apprehension regarding the uptick in violence, particularly regarding the torching of a police station and the murder of peacekeepers in Bawku.

He criticized what he deemed a display of blatant disregard and lawlessness, explicitly referring to the incident where the Inspector General of Police (IGP) was shot at by angry young individuals in Bawku. He emphasized that this act undermines the government’s authority and is unacceptable in civilized democratic societies.

In light of recent developments, the Islamic spiritual leader has urged all parties involved in the conflict to lay down their weapons and work towards restoring peace in the area.

He praised the government for seeking the assistance of Asantehene Otumfuo Osei Tutu II to mediate the conflict.

Although the Grand Imam is prepared to engage in behind-the-scenes diplomacy, he is open to utilizing this approach if it helps improve the quality of the mediation process.

According to His Eminence’s wise beliefs, possessing respectable democratic views is commendable. However, he also warned against the unnecessary politicization of sensitive issues related to national security, as it can only fuel violence and benefit those who thrive on it.

A new voice is developing at the centre of Ghana’s changing music industry. It combines lyrical skill, genre-bending inventiveness, and reflection. Born Bormeh Mwinle-Naa Wilbeck, Gingsen is more than just a well-known figure; he represents artistic tenacity and cultural genuineness.

Gingsen’s story is inspirational. He used DJ software to produce music at the age of eleven. He then performed as the main act at his concert, showcasing an unorthodox journey. He is redefining what it means to be a modern Ghanaian hip-hop and afro-pop artist. He has roots in Northern Ghana and has ascended to international prominence.

A Star Born with Sound in His DNA

On April 5, 1999, Gingsen was born into a family in Ghana. In his family, music was more than background noise. It was a way of life. His artistic curiosity was sparked by his mother’s heartfelt singing in a Catholic Church choir. It was also influenced by his older brother’s early love of poetry and rap.

The pivotal moment occurred when a classmate introduced him to Virtual DJ. This introduction led to a lifelong passion for vocal experimentation and beat-making. Unaware that he was planting the roots for a successful music career, Gingsen began recording his songs at eleven.

Gingsen’s Musical Influences

While growing up, he was exposed to various musical styles, including hip-hop, R&B, reggae, and dancehall. The music played constantly in his home by artists like Vybz Kartel, Lil Wayne, and Drake shaped his taste. Damian Marley, Fantan Mojah, and Nas also influenced his storytelling instincts. Ghanaian heavyweights like E.L., R2Bees, and FOKN Bois further solidified his musical direction locally and encouraged him to be relatable and poetic.

Afro-Pop and Hip Hop Collide

Gingsen describes his sound as a combination of Afro-pop and hip-hop, saying he cannot confine himself to one genre. Despite having a rap foundation, his style regularly veers into melodic areas, including dancehall, soul, and experimental influences. He has experience in music production. He takes charge of his sound. He consistently pushes the envelope while staying loyal to himself.

“I make hip hop and afro pop. However, I dabble in other genres. This keeps my sound spontaneous, fresh, and creative,” says Gingsen.

From ‘The Gvng’ to Kingsen Bars – Building a Catalogue

“The Gvng,” his official debut single, was released in 2018. However, Gingsen had honed his art for years. He did this through collaborations, freestyles, and demos.

His discography consists of three highly regarded mixtapes and more than sixteen singles:

Volume 1 of KINGSEN BARS (2020) , Volume 2 of KINGSEN BARS (2022) and KINGSEN BARS VOL.3, released on April 11, 2025. Each of the nine tracks in this third instalment showcases Gingsen’s development as a person and an artist.

On “Kingsen Bars” Volume 3, Gingsen declares, “This project is a milestone. It adds more sonically pleasing and exciting music to my catalogue.”

One Night With Greatness: Gingsen’s first Headliner

Remember to mark your calendars. Gingsen’s first significant performance is titled “One Night with Greatness.” It will be held at the Jocom Golden Hotel Bolgatanga on April 19, 2025. This event is more than just a performance for a poetic storytelling artist; it’s a declaration of purpose and appreciation.

“Getting to interact with people who intimately connect with my music has always been something I’ve dreamt of,” he says.

Gingsen’s Creative Process

According to Gingsen, his creative process combines introspection and intuition. His music frequently takes on a life of its own, whether expressing societal themes, personal feelings, or simply a rhythm.

“We’re just vessels who carry the message,” he states. “Sometimes the music writes itself.”

His songs are unvarnished, honest, and akin to journal entries. They frequently act as emotional pillars for his followers. Some songs discuss the heartache in “Aisha’s Story.” Others convey the optimism in “Smile.”

Influences and Goals – International Motivation with Regional Origins

His influences are diverse, ranging from Damian Marley to FOKN Bois, Wizkid to J. Cole, but they are all united by their genuineness. Gingsen hopes to work with these artists since he thinks artistic expression has no boundaries.

“They have in common their ability to keep their music real, authentic, personal, and still connect with people worldwide.”

Career-Defining Moments

Gingsen has shared the stage with some of Ghana’s best artists. Notable performances by Gingsen include;

• Kuami Eugene’s 2018 Rockstar Concert at Kumasi Sports Stadium.
• BAR Concert by E.L. (2019, 2021, 2024)
• The Revival Concert by Kweku Smoke (2024)
• Isolirium Entertainment’s North2South Concert in Bolgatanga

With every performance, he demonstrated his stage presence and broadened his audience. It is expected to be his most memorable headlining performance to date.

Obstacles and Successes

Like many independent artists, Gingsen’s path hasn’t been without obstacles. He comes from an area frequently ignored by the media. He has struggled to establish his career with minimal funding and little infrastructure. However, his honours reveal something else:

Six victories at the Upper East Music Awards from 2023 to 2024

• Hiphop Song of the Year
• Hiphop Artist of the Year (2x)
• Digital Act of the Year
• Best Music Video
• Best Rap Performance

Legends like E.L. and Jayso have also endorsed him, demonstrating the value of tenacity. He also enjoys a co-signing deal from the two hip hop enigma’s in Ghana.

Sound Development – From Bars to Equilibrium

Every project shows how Gingsen’s sound has changed over time. His recent music strikes a balance between reflection and melody. It incorporates both rapping and singing. In contrast, his earlier work primarily focused on lyrical acrobatics.

“I’m blending my ability to make records—singing and rapping on the same tracks—to connect emotions and styles into wholesome music.”

A Close Relationship with Fans

Gingsen considers his supporters more than just an audience; they are integral to his path. He cherishes face-to-face communication and maintains a strong online presence with sincere direct messages and live Instagram sessions.

Meeting new artists who claim I inspired them to create is one of my most rewarding experiences. That’s what motivates me to continue.

Views on the Music Industry in Ghana

Gingsen is open and honest about the situation of Ghana’s music industry. He highlights the lack of media paywalls. Current royalties’ schemes are inefficient. Infrastructure for artists is inadequate, especially for those from underprivileged areas.

“We need serious investment and reform,” he states. “There is talent. The assistance isn’t.”

After a lifetime filled with development, hardship, and success, Gingsen gives aspiring musicians this advice:

“Have patience. You get ready for more significant positions during your adventure. Get familiar with the basics. Have faith in your intuition. Additionally, avoid trying to be everything at once.

Collaborations

For every artiste, validation is essential. Thus, when fellow musicians find you worthy of a collaboration, it’s a feather in your cup. Gingsen has enjoyed an impressive list of collaborations. These include the following:

Sambani (Outside) by Knight Firdae
Your Body By Sypha Superman
No Easy By Dr Pushkin
Fuseina By Ricch Kid
The Bar Cypher – E.L
Okay By Fad Lan
Furious Ft. Danisadiq
Trap By Savannah Sonics

Outlawz By Billy The Rapper
Free By BlaqVibe Ft. Gingsen
Young Blaq Boi By Emo Brainy
Bondali By BlaqVibe
Good Times By Savannah Sonics
Kwa Kwa Kwa By CarlBlingx
Good Time Remix By BlaqVibe
Body on Me By Swagboi

The Prospects for Gingsen

One thing is certain as Gingsen looks to the future: his star will only grow brighter. His discography is expanding. He has a devoted fan base and a strong sense of purpose. Because of this, he is poised to emerge as one of Ghana’s most prominent voices in contemporary African music. Gingsen is here to stay. It doesn’t matter if you’re finding him through his singles. You will also be attending concerts or following his journey online.

Gingsen is not just another name in Ghanaian music. He represents a new generation of artists who are independent, deeply introspective, and committed to their craft.

The government plans to dispatch 5,000 graduates from diverse agricultural and veterinary schools. They will assist farmers in increasing productivity. They will also help in adopting contemporary farming methods.

Minister for Food and Agriculture Eric Opoku discussed the government’s Feed Ghana program. The program aims to modernise agriculture. It connects research with practical farming.

In an interview with Citi Business News, the Minister announced plans to use extension officers. “We are deploying our extension officers, and as we mentioned last Saturday, we are bringing on board 5,000 graduates from agricultural and veterinary colleges—many of whom have been home since 2015 without employment. We want all of them to be part of the Feed Ghana initiative.”

He clarified that the graduates will be assigned to various farms nationwide to assist farmers in implementing modern, scientifically based agricultural techniques.

“We want to close the gap between agricultural research and the actual practices on farms. These graduates will play a critical role in introducing modern farming techniques to local farmers,” he further emphasised.

Furthermore, the Minister announced that 300 tonnes of rice seeds have been donated to Ghana by the Korean government. These seeds will be distributed among farmers to enhance the country’s domestic rice production.

He said, “We are distributing high-quality rice and maise seeds that have been approved as best suited for our soil. The donation of 300 tonnes of rice seeds comes from KOPIA—a Korean agricultural research agency based in Ghana. Distribution has started in the southern sector, where the farming season is currently underway. We’re also preparing to supply the northern regions when the season begins in May.”

Despite the ongoing power and water disruptions, PURC supports tariff hikes.

During an interview on Joy FM’s Middaynews on Monday, April 14, Dr Obutey addressed the concerns of citizens. They are dealing with blackouts and water shortages. He stressed that utility service providers are following regulatory benchmarks established by the Commission.

According to him, we use specific benchmarks to track utilities. These include system losses, both technical and commercial. We also track the length of outages per consumer. Our most recent evaluations show that these benchmarks are being met, suggesting that the service providers comply.

The public’s frustration is mounting. It is clear that many consumers are outraged. They have to pay increased tariffs without receiving reliable services.

Dr Obutey states that equipment malfunctions are common in utility operations. Disruptions can often be attributed to scheduled or unscheduled maintenance.

“These are machines. They will break down from time to time. Planned maintenance is usually communicated ahead of time—anywhere from two hours to two weeks in advance. But when faults occur unexpectedly, companies may not have time to notify the public,” he remarked.

The World Bank has pledged to support Ghana in increasing access to renewable energy. It focuses on delivering accessible and low-emission electricity. It also aims to supply reliable and affordable electricity to businesses and individuals. The Bank has also committed to supporting initiatives aimed at addressing perennial flooding in the country. Its plans include improving infrastructure to enhance flood resilience.

Mr. Wencai Zhang is the World Bank’s Managing Director and Chief Administrative Officer (MDCAO). He gave these assurances over the weekend. This was during a visit to several World Bank-supported projects in Ghana.

As part of his tour, Mr. Zhang visited Africa’s largest single solar rooftop project, commissioned in July 2024. Located within the Tema Free Zone, the 16.82-megawatt installation provides a cleaner and more cost-effective energy source for businesses. He also inspected drainage works and large-scale flood management infrastructure under the Greater Accra Resilient and Integrated Development (GARID) project. This includes upgrades to the lower Odaw channel and Korle Lagoon. The upgrades have three primary goals. They aim to reduce flood risk. They focus on improving solid waste management. They aim to enhance access to basic services in communities within the Odaw River Basin.

Mr. Zhang concluded his visit at the redeveloped Kwame Nkrumah Memorial and Mausoleum Park. This is a flagship site completed under the World Bank-funded Ghana Tourism Development Project (GTDP).

Speaking with management of LMI Holdings, the developers of the solar rooftop project, Mr. Zhang emphasized the World Bank’s continued commitment to supporting sustainable and resilient infrastructure that generates both social and economic benefits.He expressed confidence that the 16.82MW solar project would significantly lower energy costs, enhance efficiency in the energy sector, and contribute to reducing emissions.

“Looking ahead, we are working on new projects to support the government’s industrialisation drive and expand renewable energy development in Ghana. These initiatives will take our cooperation to a new level…We will not only provide financing but also share global best practices on how other countries are reforming their energy sectors to develop renewable sources like rooftop solar,” he added.” Mr. Zhang stated

Minister for Energy and Green Transition, Mr. John Abdulai Jinapor, lauded the World Bank for its support. He affirmed the government’s commitment to integrating more solar energy into the national grid. He encouraged LMI Holdings to take interest in future projects. He urged them to offer competitive pricing. Ghana is preparing to launch an all-in-one solar system for streetlights.

The Opposition Member of Parliament’s Defence and Interior Committee expressed concern over the escalating dispute in Bawku. They labelled it as a humanitarian crisis. They also see it as a threat to national security.

During his appearance on Joy News’ PM Express on Monday, 14th April, Rev. John Ntim Fordjour brought attention to using advanced weapons in the conflict zone. He warned that this could lead to a dangerous escalation. It could possibly spiral out of control if swift action is not taken.

According to him, the situation in Bawku has escalated into a full-blown humanitarian crisis. The death toll continues to climb, causing fear among the residents. As a result, children cannot attend school, and essential services such as education and healthcare are affected. Teachers, doctors, and nurses are refusing to work in Bawku.

“What the Minority is calling for is calm. First, we extend our condolences to the bereaved families, sympathies to the injured, and to those who have lost property…But more importantly, we say Bawku deserves peace, and for that to happen, all feuding factions must exercise absolute restraint”.

Although ethnic divides have historically fueled the Bawku conflict, Rev. Ntim Fordjour cautioned that its present path is much more concerning.

According to him, a concerning change has emerged. Not all attacks are now confined to the feuding factions alone. Instead, civilians and security forces are also caught in a dangerous standoff.

If the disagreement escalates to confrontations, it will involve officers tasked with safeguarding the public. It will also involve the citizens they are meant to preserve. In that case, we will enter bleak territory.

The Ranking Member’s most concerning disclosure was his depiction of the armaments’ magnitude and complexity. They were used in the war.

Rev. Fordjour expressed deep concern over the weapons available to those involved in the conflict zone, explicitly referring to their people.

The danger posed by the presence of these weapons has led to an increase in confrontations with law enforcement. Regardless of their source, the government must immediately prevent their circulation.

Rev. Fordjour urged swift and organised action to confront the origin of these armaments.

“This is no longer about machetes or homemade rifles. We’re talking about high-grade military-style arms being used in a domestic conflict. Such weaponry emboldens the factions and makes peacekeeping difficult for security forces.”

The MP pleaded for political unity and a nonpartisan approach. This responded to the question of what further steps the government should take.

According to him, the government’s initial priority should be to remove politics from this conflict. “One of the first things the government must do is to depoliticise this conflict. Every political actor must remove the undertones and underpinnings of politics from this. This is not the time for political point scoring,” he said.

He denounced the current practice of exploiting the conflict for political gain.

“We’ve heard the dangerous rhetoric, comments like ‘when a certain party is in power, Bawku is peaceful; when another is in power, the conflict escalates.’ This kind of narrative only serves to inflame tensions. We need to rise above it.”

Rev. Fordjour backed the mediation process led by Otumfuo, deeming it necessary to address the dispute’s traditional origins.

He maintained that any peace initiative would fail. This would happen unless swift measures were taken. It is crucial to disarm factions and restrict access to weapons.

“We are supporting the government in this. This is a nationalistic effort. But the government must step up more. We cannot pretend that this is business as usual. The kind of arms being used in Bawku right now are not the kind you find in regular criminal activity. This is organised, dangerous, and must be dealt with now.”