The Today for Tomorrow Fund (TFT), a non-governmental organization, has handed over a newly constructed seven-unit classroom block to the Sakasaka Cluster of Schools in Tamale. It includes a dedicated three-classroom kindergarten section and an administrative office. The initiative is a response to the school’s longstanding infrastructure challenges, which were further worsened when its Junior High School block was recently destroyed by fire.
Speaking at the handover ceremony, TFT Director Sephania Koutanyi emphasized that the project goes beyond providing physical structures—it represents a shared vision of hope and progress. By offering improved learning environments, TFT aims to motivate students and teachers to excel academically and professionally.
Sephania-Koutanyi-(TFT-Director)
Tamale Mayor Abubakari Adam Takoro praised the contribution, recognizing it as a significant boost to education in the metropolis. He assured attendees that the Assembly would collaborate closely with school authorities to maintain the facility, underscoring the importance of preserving the quality of the new infrastructure. He also described the handover as a powerful example of what partnership, commitment, and belief in the transformative power of education can achieve.
Abubakari-Adam-Takoro-(Mayor-of-Tamale)
Also in attendance was the Member of Parliament for Sunyani East, Seid Mubarak, who highlighted the crucial role parents and teachers play in shaping children’s future through education. He urged families and communities not to rely solely on government efforts but to actively support their local schools actively, reinforcing the message that everyone has a role to play in securing a better future for Ghana’s next generation.
The Minister for Energy and Green Transition, John Abdulai Jinapor, has announced that the Cabinet has approved the exemption of electricity bills for selected strategic institutions, including security agencies and those in the health and education sectors.
Mr. Jinapor said the decision was reached after a Cabinet meeting held during the week in Accra, chaired by President John Dramani Mahama.
The Minister explained that the initiative is intended to safeguard the uninterrupted operations of essential national services in key sectors such as security, health, and education.
He further stated that the new policy aims to enhance energy consumption accountability and strengthen critical government institutions’ operational resilience.
Mr. Jinapor noted that the measure taken by the John Mahama-led government reflects its commitment to financial discipline in the energy sector and to maintaining a stable power supply for all Ghanaians.
“This exemption ensures uninterrupted services in sectors vital to national security, health, and education while also enforcing accountability among non-exempt users,” he stated.
Under the directive, the Ministry of Finance will absorb the electricity costs for these institutions through their approved budget allocations.
The exemption applies to the following ministries: the Office of the President, the Ministry of Defence, the Ministry of the Interior, the Ministry of Health, and the Ministry of Education.
The exemptions are strictly limited to core operational units, excluding auxiliary and non-essential facilities.
The exemption applies to classrooms, universities, science and computer laboratories, lecture halls, and research facilities in the education sector. It does not cover dormitories, dining halls, or recreational areas.
The health sector includes hospitals, operating theatres, blood banks, medical laboratories, and wards. Staff residences and leisure facilities are excluded.
Only critical installations such as military intelligence, national defence communications, and emergency systems are covered for the defence sector. Non-emergency sites are excluded.
Under the Interior Ministry, police and emergency response units are included, while other facilities remain outside the exemption.
The Electricity Company of Ghana (ECG) and the Northern Electricity Distribution Company (NEDCo) have been directed to intensify revenue collection efforts from institutions not covered under the exemption.
They are authorised to disconnect power to any non-exempt entity with unpaid bills.
Since the official liquidation of Ghana’s national carrier, successive governments have made numerous attempts to revive the country’s airline industry.
The idea of reintroducing a national airline has surfaced repeatedly over the years, yet without lasting success.
During the 2024 campaign, President John Dramani Mahama made a firm commitment to reestablish Ghana’s National Airline which is an essential step toward restoring national pride and boosting our economic potential. True to his word, he has inaugurated a 10-member Task Force mandated to deliver on this strategic promise.
Interestingly, this proposal has sparked significant national debate.
Some argue for full government ownership, while others suggest a public-private partnership with an established airline, one that will leverage Ghana’s national identity without assuming full operational responsibility.
Now, these discussions reflect the broader question: does Ghana truly need a national carrier?
Ghana Airways
In my view, the answer is a resounding yes.
Ghana’s strategic geographic location at the heart of West Africa positions it naturally as a hub for trade, job creation, tourism and investment. However, the absence of a reliable national airline has constrained our ability to fully capitalise on growing regional and global air traffic. I believe establishing a national carrier would not only enhance direct connectivity between Accra and major global destinations but also boost tourism, facilitate business travel and support economic diversification.
Moreover, a national airline would provide direct routes that reduce travel time and costs for both Ghanaians and international visitors, making Ghana more competitive as a regional gateway. And the economic impact would extend beyond aviation: job creation, skills development and technological innovation in the sector would have a ripple effect on allied industries such as hospitality, logistics and aircraft maintenance.
Importantly, a well-governed and professionally managed national carrier would be a symbol of national ambition and pride and reflect Ghana’s pursuit of growth, self-reliance and global integration.
By learning from past mistakes and implementing a sound business model with strong regulatory oversight, we can build a sustainable, homegrown airline that contributes meaningfully to our development agenda – the Ghana we want!
The time has come not just to revisit this idea, but to realise it with clarity of vision, institutional discipline and strong political will.
Task Force to establish new national airline:
In May 2025, Ghana’s Transport Minister, Joseph Bukari Nikpe, inaugurated a 10-member task force to oversee the establishment of a new national airline. This initiative aims to develop a sustainable business model, coordinate with strategic partners, and ensure regulatory compliance, marking a significant step toward reviving the country’s aviation sector.
The task force is chaired by Mr Charles Asare, former Managing Director of the Ghana Airports Company Limited, with aviation expert Mr Twumasi-A. Selby serving as Vice Chairman.
Other members include Mrs Yvonne Nana Afriyie Opare, Managing Director of the Ghana Airports Company Limited; Madam Joyce Bawa Mogtari, Presidential Adviser and former Deputy Minister for Transport; Mr Ellis Hugh-Tamakloe, Mr Benjamin Ahlijah, and Madam Patricia Bonsu — all seasoned aviation experts.
Rev Stephen Arthur, the Director-General of the Ghana Civil Aviation Authority, and Mr Daniel Acquah, former Deputy Director-General (Technical) of the same authority, are also part of the team.
Mr Eric Tetteh-Addison, representing the Ministry of Transport, serves as the secretary to the task force.
The task force is charged with finalising the operational framework for the proposed airline, engaging with potential partners, and facilitating initial operations, including staffing, fleet acquisition, and route planning.
About Joyce Bawah Mogtari:
Joyce Bawa Mogtari is a Presidential Adviser and Special Aide to President John Dramani Mahama. A lawyer by profession, she has previously served as Deputy Minister for Transport. Mrs Mogtari is also recognised for her work as a maritime and gender advocate, as well as her contributions to development entrepreneurship. She is also a member of the task force established to oversee the creation of Ghana’s new national airline.
Empty Grave by D Pushkin and B-Wayne is a powerful declaration of resilience, spiritual strength, and triumph over adversity. It speaks to personal betrayal, societal judgment, and internal battles, but above all, it is about rising from the lowest points — symbolised by the Grave and emerging stronger, undefeated, and divinely guided. When Timtooni got the chance to bring the song to life, he chose a visual representation that defied odds and trends and beat the faux pas of what music videos should be like in this day and age.
Dr Pushkin and Timtooni
Through the Charades
Today, the façade of seeming success thrives in today’s music world. Artists continue to jump on bandwagons, hoping to catch listenership. However, the tried and tested phenomenon of musical success remains good music. In this regard, several opinions may arise. However, it doesn’t negate the impact of making music that can live in the moment, tomorrow, and always. Thus, this is where consciously making music that speaks to the soul is most significant. While artists who dabble in such may not be racking up the front pages, one thing is sure. They will always shine in ways unmatched by “gummy music” producers.
Music is not just another fun element of our “livity”. It is a tool that can guide society while entertaining them. Thus, many artists have used it as a tool for activism, education, and even tutoring. Music is embedded with culture and the diversity that makes life fun, not just “stern-faced”. More often than not, the disadvantaged excel in music that drives thoughts. But they sometimes lose it due to an obsession with the trendy “ootie and bling” norm. Finding a perfect balance between people who just wanna groove to some danceable tunes and people who listen for life and growth, therefore defines a fantastic artist.
Empty-Grave-By-Dr-Pushkin-x-B-Wayne-1
In this regard, Dr Pushkin is pushing boundaries by combining finesse in pleasing the vibe fans as swell as the thinkers. While the former a switches switches tunes like batting an eye blink, the latter curates the finest playlists that can inspire, encourage, and empower. Same will always return to that playlist or artist.
Having hit a million views on YouTube, Dr. Pushkin’s song with B-Wayne, Empty Grave, is proof of the above theory. This song is an anthem of spiritual resistance, self-worth, and redemption. It speaks for anyone who has been counted out, misunderstood, or broken yet refuses to stay down. It’s not just about survival; it’s about victory with purpose.
Prioritising the Mind
Dr. Pushkin’s emergence onto the music scene a few years ago was characterised by provoking thoughts. When he released Questions, it marked a significant milestone in his quest. Song after song, he proved to be an entertainer who prioritises quality sound, creative beats, and carefully thought-through lyrics. Each Dr. Pushkin Song has an entertaining element; however, fans will always have something to think about.
Empty Grave is not just another song; it is accompanied by compelling visuals. Fans peer into the reality of the lyrics as lushly presented by the two artists and the video director.
Empty Grave’s success is not an isolated case of a “Gangnam Style.” It is a result of acknowledging a kind of listenership that can be likened to a cult following.
While priority is given to raunch and absurdity in the media space, making promotion a chore, identifying the appropriate channels can yield good results.
Empty Grave reminds all creatives that they don’t necessarily need trends to impact the music world. All they need is a pure heart and soul and a desire to impact society beyond the tapping of feet.
It is a bold anthem and film of survival, betrayal, and spiritual defiance. Merging Twi and English, the song walks through pain and abandonment yet finds power in divine strength and self-worth. With vivid imagery of rising from the dead—figuratively and spiritually—this is not just a comeback; it’s resurrection. Raw, reflective, and unshakably confident, this track is for anyone who’s been counted out but refuses to stay buried.
Core Ideas derived from this beautiful song
Life is Full of Struggles:
Ɔbra mo nsɛm neɛ wɔ biara nnim – No one truly understands the complexities of life.
Spiritual Fortitude & Faith:
Prays daily for enemies.
Trust in Jah (God) for strength, not man.
Believes divine power fortifies and justifies him.
Betrayal and Pain:
We can be deceived and backstabbed by those close to us.
We can be left” in a graveyard of dreams”, symbolising crushed hopes and deep emotional wounds.
Rebirth and Defiance:
The “empty grave” is a metaphor for survival and resurrection — people would expect your downfall, but you must rise instead.
Confidence & Self-Worth:
We may need to reject external validation often.
Be self-certified and stay true to a path not about fame or clout.
Resistance to Systemic Oppression:
Calls out systems that exploit and suppress.
Takes pride in resistance and non-conformity.
Buried Alive – Empty grave
Crossing 1 Million Views – What it means
A historic wave is sweeping through the Northern Ghanaian music industry as the powerful and emotionally charged video for “Empty Grave” by Dr. Pushkin featuring B-Wayne, directed by visionary filmmaker Timtooni, has officially crossed 1 million views on YouTube.
This milestone marks a turning point for the artists involved and Northern Ghanaian music as a whole — breaking boundaries, setting records, and amplifying voices that have long deserved the spotlight. Here’s why this moment is truly monumental:
1. Only the 2nd Video in Northern Ghanaian Music History to Reach 1 Million Views
Until now, the only music video from Northern Ghana to achieve this feat was “Total Cheat” by Fancy Gadam featuring Sarkodie. “Empty Grave now proudly joins that elite list—a rare and celebrated accomplishment.
2. Dr. Pushkin is the First Northern Ghanaian Rapper to Reach 1 Million Views
While Fancy Gadam is known for his Afropop sound, this milestone crowns Dr. Pushkin as the first rapper from Northern Ghana to hit 1 million views on a single video. This is a triumph for hip-hop culture in a region known more for melodic styles.
3. First Conscious Song from Northern Ghana to Hit 1 Million
In an era dominated by party anthems and commercial hits, “Empty Grave” dares to be different. Rooted in thought-provoking lyricism and social reflection, it’s the first conscious song from the North to cross this digital milestone, showing that message-driven music has the power to resonate widely.
4. The Fastest Northern Ghanaian Song to Hit 1 Million
Where other regional hits took years to gain traction, “Empty Grave” has skyrocketed to 1 million views in less than five months, making it the fastest-growing music video ever from Northern Ghana. For context, “Total Cheat” reached 1.5 million views over seven years.
5. A Million Views Without Industry Co-Signs or Southern Features
Unlike many breakout songs that rely on endorsements or collaborations with well-known Southern Ghanaian artists, “Empty Grave” is a purely Northern creation. Dr. Pushkin and B-Wayne are independent, and without any industry co-signs or significant label push, this achievement speaks volumes about the strength of community support and grassroots momentum.
With Fancy GGadam’s “Kom” nearing the 1 million mark (currently at 998K), a new wave is clearly surging through the North. But “Empty Grave” stands tall — a beacon of authenticity, consciousness, and regional pride.
This is more than a milestone—it’s a message: the North has stories to tell, and the world is finally listening.
Regarded as a pioneer in the contemporary music scene of the Northern Region of Ghana, Tuba Zaks has teamed up with Maccasio to electrify the feet of fans. On a song titled “Di’Gbaama”, the singer partnered with his Zola mate Maccasio to prove he still has it.
Regarded as a pioneer in the contemporary music scene of the Northern Region of Ghana, Tuba Zaks has teamed up with Maccasio to electrify the feet of fans. On a song titled “Di’Gbaama”, the singer partnered with his Zola mate Maccasio to prove he still has it.
The Early years
Tuba Zaks, born Basit Zakaria, is a Ghanaian musician and painter from the Northern Region of Ghana. Born in the 1980s in Tamale, Tuba Zaks attended elementary and primary school at Bagabaga Primary School in 1989 and junior secondary school at Ridge Junior Secondary School between 1995 and 1998. Upon completion, he pursued Business Accounting at the Northern School of Business(Nobisco) between 1998 and 2002.
Tuba Zaks
Tuba Zaks – the rise to prominence
Tuba Zak released his first debut album “ATEMUDA” featuring Batman, now known as Samini. The album also featured Nana King. However, despite making inroads onto the music scene, he briefly focused on his talent as a painter(Artist) due to a conflict in the Northern Region. These paintings became a source of revenue as he honed his talent amidst the conflict. When the conflict was eventually resolved, Tuba Zaks returned to the music industry with the group Tuba Clan, with three other artists. They released the album “BONDITO”, which connotes “Hard to find money”. Back then, it was easy to track music sales; the album reportedly sold over 25000 copies on Cassette Tapes and CDs.
2005 the same Tuba Clan returned with their second album, “DAKOLI”, meaning ‘Bachelor’, on their record label. This album sold over 20,000 tapes and CDs in Ghana. A year later, in 2006, they released a video CD compilation of both Tuba Zaks and Tuba Clan music. This compilation sold over 35,000 copies across Ghana.
Going Solo
Tuba Zaks decided to go solo after a year and started recording his singles. His first single, “IT SHALL BE WELL,” featured Blakk Rasta and Mugees of R2Bees.
The musician then released another hit single, “DON’T TRUST WOMEN,” featuring Mugees of R2Bees and D-Flexx, which received impressive rotation. He was eventually signed to the Last Two Music Group and set to be unleashed after Ayigbe Edem’s (Edem) “Volta Regime” album. Unfortunately, as of the time of writing this article, very little is known about the aftermath of that signing. In March 2011, Tuba Zaks travelled to London and performed at the 54th Ghana Independence celebrations in the UK, which Akwaaba UK Jam Promotions organised.
A Legend still thriving.
Tuba Zaks has been recognised for his contributions to the music industry, receiving the Artist of the Decade award at the Northern Entertainment Awards. In 2020, Tuba Zaks released the single “Only You,” featuring Zeal of VVIP and LXG from Sierra Leone. The song received significant attention and was promoted by artists like Maccasio and Fancy Gadam. He also has another collaboration with Zeal titled “Tabaaya”.
Tuba Zaks
Tuba Zak is currently based in the United States of America. He also leads Zola Music & Cultural Group, a collective that promotes Northern Ghanaian culture through music. The group has collaborated with notable artists such as Rocky Dawuni, Sarkodie, and Stonebwoy. In 2023, they launched the Northern Ghana Cultural Festival (NorGhaFest), a world tour using art and entertainment to promote peace and unity.
The World Bank has lauded Ghana’s progress under the Gulf of Guinea Northern Regions Social Cohesion (SOCO) Project, highlighting the initiative’s success in surpassing its initial targets and achieving results that exceed expectations.
This endorsement came from Mr. Robin Mearns, the World Bank’s Global Director for Social Development, who led a high-level delegation to visit SOCO project sites. The delegation engaged with key stakeholders to review the project’s midterm progress, strengthen partnerships, and explore opportunities for further expansion.
“The SOCO Project is not just meeting but surpassing its targets. It is bringing significant economic growth to areas that have long lacked investment. The project’s scale and inclusiveness are truly impressive, and I strongly urge for further funding to extend its impact to more vulnerable districts,” Mr. Mearns commented.
During their visit, the delegation explored various community interventions along the Salaga corridor, including a CHPS compound and a guinea fowl rearing project.
Mr. Mearns shared the inspiring story of Fatima, a local farmer who saw her guinea fowl stock grow from 30 to over 100 birds thanks to SOCO’s support.
“Fatima’s story illustrates how SOCO is enhancing local livelihoods and strengthening resilience,” he said.
The delegation also interacted with other income-generating groups, including the Shishegu Soap Makers, and toured a newly constructed livestock market. These activities are part of SOCO’s Local Economic Development (LED) component, which focuses on sustainable community empowerment.
The Northern Regional Minister, Mr. Ali Adolf John, praised the project for addressing infrastructure deficiencies and social vulnerability in the six Northern regions. He emphasised that SOCO’s integrated approach is fostering peaceful and thriving communities.
SOCO Project Coordinator, Ms. Elizabeth Ohenewah Agyei, shared that the first cycle of the project had delivered 530 community infrastructure subprojects, with 489 completed and handed over by February 2025. These include 33 roads and culverts, 59 educational facilities, 66 health centres, 210 water systems, and 73 rural markets. Additionally, more than 6,200 jobs, many for women, youth, and people with disabilities, have been created, and 744 livelihood groups with over 24,000 members have received support to enhance local productivity.
Ms. Agyei also noted that the second cycle is underway, aiming to deliver 680 more subprojects across 48 districts. “The SOCO Project is about more than just infrastructure,” she said. “It’s about fostering community ownership and participation. Our goal is to strengthen the social fabric through inclusive leadership and shared responsibility, which are fundamental to social cohesion.”
The delegation also attended the inauguration of the Tamale Metropolitan Youth Parliament, a civic engagement initiative under SOCO that promotes youth involvement in governance and peacebuilding.
Mr. Nicolas Perrin, World Bank’s Practice Manager for Social Sustainability and Inclusion in West Africa, described the Youth Parliament as a model for other regions to replicate.
“This Youth Parliament exemplifies civic inclusion and leadership development,” he said.
Funded by the World Bank and implemented by the Ministry of Local Government, Chieftaincy, and Religious Affairs, the SOCO Project operates in 48 selected districts across Ghana’s six northern regions. It focuses on building inclusive, peaceful, and economically empowered communities in the northern border zones.
A significant relief has come to the Anafobisi Primary A School community after a philanthropist stepped in to re-roof the school building, which was utterly destroyed by a windstorm. This intervention has provided much-needed support to parents, teachers, students, and community leaders.
Following the devastating windstorm, absenteeism increased as many students struggled to attend classes after a three-unit classroom block that housed several learners was destroyed.
On March 10, 2025, a severe windstorm struck the Upper East Region, causing widespread damage. In Bongo, it left behind a trail of destruction, including the classrooms at Anafobisi Primary A School, which was already grappling with inadequate infrastructure.
As a result, school authorities were forced to relocate students to makeshift spaces, with some sitting under a poorly constructed pavilion, others gathering under a baobab tree, and the Upper Primary students occupying a church. The move left students without proper writing boards, with teachers resorting to verbal lessons and occasionally letting the children take turns writing on the board instead of using their textbooks.
In an interview with Dreamz News, Hannah Asanyuure Talata, the Assembly Member of the Anafobisi Electoral Area, expressed her heartfelt appreciation to the philanthropist, who wished to remain anonymous, and to Maltaaba Community Bank for their invaluable support in re-roofing the school.
Maltaaba Community Bank donated 10 packs of roofing sheets. At the same time, Alagumgube, a local development group, contributed teaching and learning materials as a temporary solution.
