To help improve farming practices and market access in northern Ghana, the European Union Ghana Agricultural Programme (EUGAP) recently donated 15 tricycles and 51 motorbikes to local agricultural departments. This move aims to enhance the delivery of extension services and simplify transportation for farmers in remote areas.
European Union Ghana Agricultural Programme (EUGAP)
The motorbikes were distributed to 14 District Agricultural Departments across several regions, including all 11 districts in the Upper West Region, as well as Sawla-Tuna-Kalba, North Gonja, and Mamprugu-Moagduri in the Northern and North-East Regions. These motorbikes will enable agricultural extension agents to reach even the most remote communities, ensuring that farmers can access crucial services.
European Union Ghana Agricultural Programme (EUGAP)
Easier Transport for Farmers
The 15 tricycles were handed over to farmer-based organisations (FBOs) in the same districts, which were recognised during the 40th Farmers’ Day celebration. The primary purpose of the tricycles is to help transport farm produce to local markets. This will reduce post-harvest losses and increase farmers’ chances of earning a higher income. With improved transportation, farmers will be able to transport their products to market more easily.
European Union Ghana Agricultural Programme (EUGAP)
Focus on Sustainable Agriculture
At the handover ceremony, the European Union’s Ambassador to Ghana, Mr. Irchad Razaaly, reaffirmed the EU’s commitment to supporting sustainable farming and strengthening rural livelihoods in northern Ghana. He emphasised the importance of reliable transportation in enhancing agricultural productivity, particularly in remote areas.
Mr. Razaaly also mentioned that access to better transport is crucial for enhancing agricultural services, which ties into EUGAP’s broader goal of fostering a strong and inclusive local economy. He emphasised that agriculture plays a pivotal role in Ghana’s economic development, supporting farmers’ livelihoods and enhancing the country’s global trade.
Local Recognition and Regional Impact
The Upper West Regional Minister, Mr. Charles Lwanga Puozuing, praised the EU for its ongoing support and the positive impact it has had on the region’s agricultural development. He pointed out that the EUGAP has played a significant role in raising farmers’ incomes and promoting inclusive growth in the Northwest of Ghana. The program’s contributions have been crucial in creating a thriving local economy and sustainable livelihoods for the people.
Boosting Food Security and Production
Mr. Huudu Abu, the Upper West Regional Director of Agriculture, commended the EU for its support in improving extension services in the region. This has led to increased agricultural production and played a crucial role in enhancing household food security. With continued support, the region’s agricultural sector is set for even more growth.
Farmers’ Appreciation and Hopes for the Future
The FBOs that received the donations expressed deep gratitude for the EU’s contribution, especially in areas such as training on farming practices, post-harvest handling, and access to improved seed varieties. The farmers shared how the tricycles would help them transport workers to their farms and make it easier to move their produce to both homes and markets.
With these new resources, farmers are now better equipped to increase their productivity, improve their incomes, and help drive the growth of agriculture in northern Ghana.
Smock weaving is not just an art form; it is a reflection of a community’s identity, history, and pride. In Daboya, a small town nestled in the Northern Region of Ghana, the tradition of weaving smocks has been passed down through generations. The craft has become synonymous with the town’s culture, with each piece intricately woven, representing more than just clothing. It signifies an enduring heritage, a livelihood, and a source of cultural pride for the Daboya people.
In this article, we delve into the history, process, and significance of Daboya Smocks and weaving; exploring how this traditional craft continues to thrive amid modernization. From the methods used by skilled weavers to the social and economic impact of the practice, we’ll uncover why Daboya smocks weaving remain a vital part of the community’s fabric.
Introduction to Daboya Smocks
The craft of smock weaving is deeply rooted in the history and culture of the northern regions of Ghana, particularly in the Daboya area. This town has earned a reputation as one of the most important centres for this unique form of textile art. Smocks, or “fugu,” as they are known locally, are intricately woven garments worn by both men and women. They are made from cotton and traditionally come in a variety of colours and patterns that hold significance for the wearer.
Smock weaving is not only about creating beautiful garments; it is also a means of preserving the cultural heritage of the people of Daboya. The designs and patterns reflect the community’s history, the weavers’ artistry, and the connection between the people and their surroundings. In a world increasingly influenced by fast fashion and mass production, Daboya’s smock weaving serves as a powerful reminder of the importance of craftsmanship, tradition, and cultural preservation.
Daboya, located on the banks of the Black Volta River, is a thriving town with a population that relies heavily on agriculture, local crafts, and trade. The town has been known for its smock weaving for centuries, with the art form being passed down through generations. The introduction of modern techniques and tools has only added to the richness of Daboya Smock’s weaving culture, ensuring that it remains relevant and respected in contemporary Ghanaian society.
The History of Weaving Daboya Smocks
Smock weaving in Daboya dates back centuries, with its origins deeply intertwined with the region’s cultural history. The craft began as a practical form of textile production for the local communities, particularly for protection against the harsh weather conditions of the northern Ghanaian savannah. Over time, however, it evolved into a significant cultural expression.
The early weavers in Daboya used simple tools, such as rudimentary wooden looms, to create the first smocks. These garments were initially worn for everyday use, offering warmth and protection during the cool nights and mornings of the dry season. As time passed, the weaving techniques and patterns grew more sophisticated, reflecting the influence of various Ghanaian ethnic groups, including the Dagombas and the Nanumbas, who populated the region.
During the colonial era, smock weaving faced significant challenges. The introduction of mass-produced textiles and the commercialization of Western-style clothing led to a decline in demand for traditional smocks. However, despite these challenges, the weavers of Daboya persisted. They continued to produce high-quality smocks that remained popular in local ceremonies, festivals, and religious events.
In recent years, there has been a resurgence in the interest and appreciation for Daboya Smocks weaving. This revival can be attributed to both the local community’s desire to preserve their heritage and the growing global interest in African art and fashion. Today, smock weaving is not only a cultural practice but also a significant economic activity in Daboya.
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The Art of Smock Weaving
Daboya Smock weaving is a complex and meticulous art that requires both skill and patience. Weaving the intricate patterns of a traditional Daboya smocks involve several stages, from preparing the raw materials to completing the final garment. The weavers of Daboya have honed their craft over generations, developing a deep understanding of the process and the symbolism behind each design.
At the heart of smock weaving is the use of handlooms, which are used to weave the cotton fibres into fabric. The loom itself is a simple yet ingenious device, consisting of wooden frames and strings. The weaver carefully threads the cotton fibres through the loom, creating a tightly woven cloth that forms the base of the smock.
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Traditional patterns and designs are a key feature of Daboya Smocks. Each pattern has its own significance, often symbolizing aspects of the weaver’s life or reflecting important cultural or spiritual beliefs. For example, some patterns represent the weaver’s family lineage. In contrast, others are associated with particular seasons or events, such as harvests or weddings.
The colours used in the smocks also have meanings. White, for instance, symbolizes purity and peace, while dark colours like blue and black often represent strength and resilience. These colour choices are not just aesthetic; they carry deep cultural significance, and every Daboya Smock tells a story through its patterns and hues.
The Weaving Process: From Start to Finish
Creating a traditional smock involves a series of steps, each requiring precision and attention to detail. The process starts with the preparation of the cotton fibres, which are sourced from local farms. Once harvested, the cotton is cleaned and spun into thread, which is then dyed using natural dyes. This step is crucial, as the colour of the threads will determine the final look of the smock.
Once the threads are ready, the weaver begins setting up the loom. This involves arranging the threads in a manner that enables the creation of intricate patterns. The weaver must be skilled in adjusting the tension of the threads, as any mistake in this stage can affect the final product.
Next, the weaving process begins. The weaver uses the loom to interlace the threads, one at a time, following the desired pattern. This stage requires considerable expertise, as the weaver must ensure that the threads are woven tightly and evenly to create a strong, durable fabric. It can take several days or even weeks to complete a single Daboya Smock, depending on its size and intricacy.
After the weaving is complete, the smock is carefully finished, often with additional embellishments like embroidery or stitching along the edges. The final product is a beautifully crafted garment that reflects the weaver’s skill and creativity.
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Smock Weaving as a Cultural Identity
Smock weaving in Daboya is more than just an art form; it is a central part of the town’s cultural identity. The craft is a source of pride for the people of Daboya, with each smock woven representing a piece of their history, values, and beliefs. Wearing a Daboya Smock is not just a fashion statement; it is a way of connecting with one’s heritage and community.
For many residents of Daboya, smocks are worn during significant cultural events, such as weddings, funerals, and religious ceremonies. These garments are often regarded as symbols of respect and social status. In fact, wearing a Daboya Smock is a way of showing solidarity with one’s community and honouring the traditions that have been passed down through generations.
Daboya Smock weaving also plays a vital role in community life. Weaving is often a communal activity, with several weavers working together to produce garments for various occasions. The act of weaving itself fosters a sense of solidarity and cooperation, strengthening the bonds between individuals and families.
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In addition to its cultural significance, smock weaving is also a way of preserving the traditions of Daboya for future generations. Younger people in the community are increasingly being encouraged to learn the craft, ensuring that the skills and knowledge of the older generation are passed down to the next. This helps maintain the cultural heritage of Daboya while adapting to the challenges of the modern world.
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Daboya’s Role in the Broader Weaving Tradition of Ghana
Daboya plays a crucial role in the broader context of weaving in Ghana. While other regions in the country are known for their own unique weaving techniques and textile production, Daboya is widely recognized as a key hub for the creation of traditional smocks. The town’s weavers have perfected the craft, and their smocks are highly sought after not only locally but also in other regions of Ghana and internationally.
Weaving in Ghana is an ancient practice that dates back to the early indigenous cultures of the country. The tradition has been passed down through generations, with each region contributing its own style and pattern. In the north, the art of Daboya Smock weaving is considered a prestigious craft, one that demands dedication, skill, and a profound understanding of design. Daboya, with its rich history and connection to this craft, has become synonymous with the highest quality smocks in Ghana.
Comparing Daboya Smocks to those woven in other regions of Ghana, it is clear that each community has its own distinctive style. For example, in the Volta Region, the Ewe people are known for their Kente weaving, which uses colourful silk and cotton fibres to create intricate patterns that hold symbolic meaning. Meanwhile, the Akan people from the central and southern regions of Ghana are renowned for their Kente cloth, which is often associated with royalty and ceremonial occasions.
However, Daboya Smocks stand out due to their functional design and cultural significance. The smocks produced in Daboya are not only garments but also a form of storytelling, with each design telling a unique story of the weaver’s family, heritage, or community. The tradition of weaving Daboya Smocks, although similar in technique to other weaving traditions, holds a unique place in Ghana’s textile history.
Moreover, Daboya Smock’s weavers have made significant contributions to the global appreciation of African textiles. Smocks from Daboya are being increasingly incorporated into the modern fashion industry, making them recognized symbols of African heritage worldwide. This contribution extends beyond fashion, as Daboya’s smocks have become iconic representations of Ghanaian culture on the international stage.
Ghana Musician B-wayne in a Smock on stage. Made by Amoah Smocks (+233 50 915 8875)
Economic Impact of Smock Weaving in Daboya
In addition to its cultural significance, smock weaving is a vital economic activity in Daboya. The craft provides a livelihood for many families in the town, with a significant portion of the local population involved in various aspects of the weaving process. From growing the cotton and dyeing the threads to weaving and selling the finished Daboya Smocks, this craft supports not only individual artisans but the local economy as a whole.
The economic impact of smock weaving extends beyond the immediate community of Daboya. Daboya Smocks are sold throughout Ghana and abroad, contributing to both local and national economies. The demand for Daboya Smocks have increased, particularly in urban centres, where people are seeking out authentic, handcrafted African garments. This demand has created opportunities for weavers to expand their businesses, access new markets, and increase their income.
However, despite the economic benefits, smock weavers in Daboya also face challenges. The production of smocks is time-consuming and requires significant expertise, making it a labour-intensive activity. Many weavers struggle to access modern tools and technology that could help streamline production, and there are concerns about the rising cost of raw materials. Additionally, the competition from cheaper, mass-produced garments has posed a threat to the livelihood of traditional weavers.
The government and various organizations have recognized the economic importance of smock weaving in Daboya and have taken steps to support this traditional craft. Initiatives to promote the craft internationally, provide training for younger generations, and improve access to resources have been vital in sustaining this tradition. In recent years, local government support has also included efforts to establish cooperative societies that help weavers access better tools and materials, as well as offering training programs to enhance production efficiency.
Smock weaving, therefore, serves not only as a cultural practice but as a crucial source of income for the people of Daboya, allowing them to maintain their cultural heritage while contributing to the broader economy.
Daboya Smock Weaving and Modernisation
As global fashion trends continue to evolve, the smock weaving tradition of Daboya has faced both challenges and opportunities. The advent of modern technology and the rise of mass-produced textiles have brought changes to traditional weaving practices. While these changes pose a threat to the survival of traditional crafts, they also offer opportunities for innovation and adaptation.
One of the key influences of modernization on smock weaving in Daboya is the introduction of new design concepts. Young people in the community are bringing fresh ideas to the craft, experimenting with different patterns and colour combinations to create more contemporary styles. This fusion of traditional techniques with modern design trends has led to a revitalization of smocks, making them appealing to younger generations who may have previously been more interested in Western-style clothing.
Additionally, modern tools and machinery are being introduced to assist with the weaving process. While traditional handlooms remain central to the craft, some weavers have begun using mechanical looms to increase production and reduce the time required to weave each piece. This has allowed for the production of larger quantities of smocks, making them more accessible to a broader market.
However, this modernization process is not without its challenges. The introduction of technology and modern design concepts must be balanced with the preservation of the authenticity and cultural significance of Daboya Smock weaving. Some traditionalists fear that the introduction of machine-made smocks and mass-production methods could dilute the quality and heritage of the craft. To address this, many weavers are working diligently to ensure that their practices retain the integrity and artistry of the original techniques, even as they embrace innovation.
The evolution of Daboya Smock weaving highlights the delicate balance between tradition and progress. As the craft evolves, it is crucial to ensure that the underlying cultural and historical values of smock weaving remain intact, allowing future generations to enjoy the craft in its authentic form.
Challenges Faced by Smock Weavers in Daboya
Despite the economic benefits and growing recognition of smock weaving in Daboya, the craft faces several significant challenges that threaten its continued success. These challenges range from the decline in interest among younger generations to the impact of globalization on traditional crafts.
One of the major concerns is the declining interest in traditional crafts, particularly among young people. As global fashion trends continue to dominate, younger generations in Daboya may not see the value in learning conventional weaving techniques. Many young people are more inclined to pursue modern, urban careers, viewing the craft of smock weaving as outdated or less financially rewarding. This shift in attitude threatens to erode the skill base needed to sustain the tradition in the future.
Another challenge faced by smock weavers in Daboya is the growing competition from mass-produced garments. With the rise of cheap, machine-made clothing, locally crafted smocks are sometimes viewed as more expensive and less convenient. This has led to a reduction in demand for traditional smocks, especially in urban areas where cheaper alternatives are readily available.
Additionally, smock weavers in Daboya struggle with limited access to resources and training. While some weavers continue to use traditional tools and techniques, others lack the capital to invest in modern equipment or learn new techniques. This makes it difficult for younger or less experienced weavers to enter the profession, creating a gap in the knowledge base and skill set necessary to carry the craft forward.
Finally, climate change and the rising cost of raw materials have added further pressure to the craft. Cotton, the primary material used in Daboya Smock weaving, is becoming more expensive and more complicated to source. As a result, many weavers are struggling to maintain their businesses and sustain production at the same level.
Despite these challenges, the people of Daboya remain resilient. Through local community initiatives, government support, and international recognition, the craft of Daboya Smock weaving continues to thrive, albeit in a changing landscape. The key to ensuring its survival lies in adapting to new circumstances while preserving the heart of the craft.
Joe Mills-of-Rockcity in a Daboya Smock
Celebrating Smock Weaving: Events and Festivals
Smock weaving in Daboya is celebrated not just as an art form but as a pillar of the town’s culture and social life. Various events and festivals throughout the year celebrate the tradition, offering the community a chance to showcase their heritage and craftsmanship. These occasions serve not only as a platform for honouring the craft but also as opportunities to unite the people of Daboya, share stories, and connect with the broader world.
One of the most prominent festivals in Daboya is the Fugu Festival. This annual event is dedicated to celebrating the town’s rich tradition of smock weaving and honouring the significance of the Daboya Smock as a symbol of cultural identity. During the Fugu Festival, weavers from all over the town gather to display their finest smocks, demonstrate their weaving skills, and participate in various cultural performances. The festival also includes traditional dances, music, and feasts, making it a vibrant and joyous occasion for both locals and visitors.
The festival serves as a reminder of the importance of preserving traditional craftsmanship and cultural practices in an increasingly modern world. It draws attention to the intricate work of Daboya’s weavers and promotes their craft to a broader audience. Additionally, the festival has become a venue for networking, allowing weavers to connect with buyers, artisans, and entrepreneurs from across the country and beyond. This has helped increase the demand for Daboya Smocks, giving local artisans a chance to expand their businesses and gain recognition for their work.
The Fugu Festival also provides a platform for education. Local schools and organizations utilize the event to educate younger generations about the history and significance of smock weaving, ensuring that this tradition continues to be passed down. Through workshops and demonstrations, younger people are introduced to the art of weaving, encouraging them to take up the craft and learn from the older generation.
Other regional and national events also highlight the significance of smock weaving. Smocks from Daboya have been featured in major cultural exhibitions, fashion shows, and international trade fairs, giving the craft global exposure. These events allow the artistry of Daboya’s weavers to be appreciated on a world stage, further elevating the town’s reputation as a centre of weaving excellence.
How Smock Weaving Influences Ghana’s Fashion Industry
While Daboya Smock weaving has traditionally been associated with cultural and ceremonial wear, the craft has increasingly become influential in Ghana’s fashion industry. In recent years, smocks from Daboya have gained popularity in modern fashion collections, both locally and internationally. Designers are now incorporating smocks into contemporary clothing, giving them a fresh, stylish twist while maintaining their cultural integrity.
Daboya Smocks are being reimagined and adapted into a variety of fashionable pieces, from casual wear to formal attire. Designers are combining traditional smock fabrics with modern materials, such as silk and polyester, to create a range of garments, including shirts, jackets, dresses, and accessories. This fusion of traditional and contemporary design has given smocks a new, chic appeal, making them more popular among younger generations who are eager to celebrate their cultural heritage while embracing modern trends.
In addition, the global fashion scene has taken notice of the beauty and artistry of smock weaving. As the world becomes increasingly interested in African fashion and products made in Africa, Daboya Smocks are seen as a symbol of authentic African craftsmanship. The international demand for African fashion has enabled Daboya’s weavers to gain recognition on a global scale, further solidifying the region’s presence in the broader fashion world.
Moreover, Ghanaian celebrities and public figures have contributed to the rising popularity of Daboya Smocks. Many have been spotted wearing Daboya’s sure smocks at significant events, both locally and internationally, showcasing the garment’s versatility and elegance. This has significantly boosted the demand for smocks, as people seek to emulate the fashion choices of their favourite public figures.
While smocks were once mainly seen as traditional garments for ceremonial purposes, they are now becoming part of everyday fashion, blurring the lines between traditional and contemporary style. This evolution has revitalized the smock weaving industry in Daboya, enabling it to reach a wider audience and regain a renewed sense of relevance in the fashion world.
Preserving the Smock Weaving Tradition in Daboya
The preservation of smock weaving in Daboya is crucial not only for the town’s identity but also for the livelihood of its people. As with many traditional crafts, there is a risk of losing these skills as the world becomes increasingly modernized and globalized. To ensure that smock weaving continues to thrive for future generations, concerted efforts are being made to safeguard this valuable cultural heritage.
One of the primary strategies for preserving the tradition is through education and training. Local artisans, as well as organizations dedicated to cultural preservation, have initiated programs to teach younger generations the techniques of smock weaving. These programs often involve hands-on workshops where young people can learn how to use looms, spin cotton, dye fabrics, and create traditional patterns. By passing these skills down to the youth, the town ensures that smock weaving will not only continue but will evolve with the times.
In addition to formal training, there are efforts to document the history and techniques of smock weaving. Some organizations are compiling records of the various patterns, designs, and methods used by Daboya’s, creating valuable resources for future generations. These records help to preserve the knowledge of how smock weaving developed over the years and ensure that no aspect of the tradition is lost.
Modern technology has also played a role in the preservation of smock weaving. Online platforms and social media have allowed Daboya’s to showcase their work to a global audience, increasing their visibility and appeal. This, in turn, has sparked interest in the craft, leading to greater demand for Daboya Smocks both within Ghana and internationally. The internet also serves as a tool for weavers to learn from one another, share techniques, and discuss ways to improve their craft.
Government support has also been a key factor in the preservation of smock weaving. The Ghanaian government, along with local authorities, has recognized the cultural and economic significance of the craft and has provided resources to help sustain it. From funding workshops to supporting local initiatives that promote smock weaving, these efforts ensure that Daboya’s is preserved and continues to thrive.
The Future of Smock Weaving in Daboya
The future of smock weaving in Daboya looks promising, with a growing appreciation for the craft both locally and globally. While challenges remain, several factors suggest that the tradition will continue to thrive and evolve.
The first factor is the growing interest in African culture and heritage. As the world becomes more connected and people increasingly seek out authentic, handmade goods, smock weaving has found a place in global markets. The rising popularity of African fashion, particularly in the West, has opened up new opportunities for Daboya’s to showcase their products on an international stage.
Additionally, the younger generation’s involvement in smock weaving offers hope for the future. Many young people in Daboya are embracing the craft, either as a career path or as a way of preserving their cultural identity. With proper training and mentorship from experienced weavers, these young artisans have the potential to innovate and bring fresh ideas to the craft while preserving the tradition.
Innovation is also playing a role in the future of Daboya Smock weaving. While traditional methods remain central to the craft, new technologies, such as computerized looms, are being introduced. These technologies enable greater efficiency and precision in weaving, facilitating the creation of complex patterns and designs. Additionally, the integration of modern materials and styles into smocks has made them more appealing to younger consumers, who often seek garments that reflect both their heritage and personal style.
The future of smock weaving in Daboya also depends on continued support from local communities, organizations, and the government. With ongoing efforts to preserve the craft through education, resources, and exposure, Daboya’s are poised to continue their vital role in Ghana’s tradition.
Conclusion: Embracing the Past, Crafting the Future
Smock weaving in Daboya is more than just a craft; it is a testament to the town’s resilience, creativity, and cultural pride. For generations, the Daboya family has produced intricate, beautifully crafted garments that symbolize the town’s history and traditions. As the world changes, so too does the craft, adapting to new influences while preserving its cultural roots.
The future of smock weaving in Daboya is bright. With a renewed interest in African textiles, government support, and a new generation of weavers ready to take the mantle, the tradition is set to continue thriving. However, efforts to preserve the craft must remain a priority, ensuring that the artistry and techniques of Daboya Smock weaving are passed down for generations to come.
Daboya Smocks are more than just clothing – they are a powerful symbol of heritage, identity, and community. By embracing both the past and the future, smock weaving will continue to be a source of pride for the people of Daboya and an integral part of Ghana’s cultural heritage.
Frequently Asked Questions
What is smock weaving?
Smock weaving is a traditional craft in which cotton is handwoven into fabric to create smocks, garments often worn during ceremonial events in parts of West Africa, especially in northern Ghana.
What are the materials used in smock weaving in Daboya?
The primary material used in smock weaving in Daboya is cotton, which is grown locally. The cotton is spun into thread and dyed with natural dyes before being woven into fabric on handlooms.
How has Daboya Smock weaving contributed to the local economy?
Smock weaving is a significant source of income in Daboya. It provides livelihoods for many families, from farmers who grow the cotton to artisans who weave and sell the finished garments.
Can Daboya Smock weaving be learned by anyone?
Yes, smock weaving can be learned by anyone, especially with proper training. Many local programs and workshops in Daboya teach young people the techniques and skills required to weave smocks.
What role does Daboya Smock play in Ghana’s identity?
Daboya is a key centre for smock weaving, and its tradition plays a significant role in shaping Ghana’s identity. Smocks from Daboya are seen as symbols of pride, cultural heritage, and craftsmanship.
Accra, Ghana — Professor Patience Aseweh Abor has made history as the first female full professor at the University of Ghana Business School (UGBS), marking a significant milestone in the school’s academic journey.
Prof. Abor, a distinguished scholar in health and management sciences, joined the University of Ghana as a Graduate Assistant in 2007. She rose through the ranks, becoming Associate Professor in 2021, and now earns the esteemed title of full professor — a testament to her extensive contributions to teaching, research, mentorship, and university administration.
Professor Patience Wegeiwor Aseweh Abor
But her story goes beyond the academic realm.
Known in artistic circles as Wegeiwor, Prof. Abor is also a celebrated musician, actress, and social advocate, using creative expression to inspire, empower, and educate. Drawing from her Upper East roots, her music blends gospel with traditional Ghanaian rhythms, often exploring themes of identity, womanhood, healing, and cultural pride. Her soulful voice and messages of hope have earned her a loyal fan base across generations.
Her artistry extends to acting, with appearances in stage and screen productions — notably with Sparrow Productions — that spotlight societal issues including gender, family, and communal challenges.
Professor Patience Wegeiwor Aseweh Abor
A Life of Impact Beyond the Stage
Prof. Abor is the founder of the ExGlo Foundation (www.exglo.org), a non-profit dedicated to promoting education and health in underserved communities. Through ExGlo, she has positively impacted thousands of children and adolescents by providing them with school supplies, mentorship, health outreach, and empowerment programs.
Despite her intensive academic workload, which includes PhD supervision and international research collaborations, she continues to lead wellness seminars, give motivational talks, and perform on both rural and urban platforms.
“People ask me how I manage it all. The truth is, I don’t see my roles as separate. Whether I am in the lecture hall or on stage, I am teaching, healing, and leading,” she shared in a recent conversation.
Currently serving as a visiting professor in both the UK and the USA, Professor Abor’s influence extends across global academic and cultural circles. Her advocacy for holistic wellness — encompassing mental, emotional, educational, and spiritual development — makes her a rare blend of intellect and heart.
To many, the name Wegeiwor is more than an artistic pseudonym — it’s a powerful symbol of resilience, purpose, and compassion.
Tamale, Ghana – New research by the University for Development Studies (UDS) has revealed that poorly fed cattle, particularly the White Fulani breed, emit significantly more greenhouse gases than cars, posing a significant but overlooked threat to climate efforts in Ghana and beyond.
According to the findings, a single White Fulani dairy cow on a poor-quality diet produces up to 10 tonnes of carbon dioxide equivalent (CO₂e) annually. By contrast, a typical passenger vehicle emits approximately 5 tonnes of CO₂e per year when driven about 18,500 kilometres.
Delivering the university’s 20th Professorial Inaugural Lecture in Tamale, Professor Addah Weseh, Director of Community Relations and Outreach at UDS and Professor of Ruminant Nutrition, described the situation as “alarming” and called for urgent policy action.
“We often blame industry for global warming, but our data show that cattle—especially when poorly fed—contribute even more,” Professor Addah said. “A herd of 60 cows emits as much greenhouse gas as 120 petrol cars.”
Why Poor Feeding Increases Methane Emissions
The research explains that low-quality feed prolongs digestion in the rumen, the first chamber of the stomach in cattle, resulting in higher methane output. Methane is a far more potent greenhouse gas than carbon dioxide, contributing significantly to global warming.
“When feed digestibility is low, it stays in the rumen longer, producing more methane,” Professor Addah said. “Improving feed quality through crop residue conservation can reduce emissions and boost cattle productivity.”
Solutions: Feed Quality and Crop Residue Conservation
Ghana, the professor noted, produces sufficient crop residues to feed its cattle year-round. However, only 32% of this potential feed is currently used, compared to up to 100% in countries like Burkina Faso. The result: Ghanaian livestock are less healthy, less export-ready, and more environmentally damaging.
“We must teach farmers how to properly store crop residues and discourage bush burning, which destroys vital animal feed,” he said.
Crop residues—including stalks, leaves, and stems left after harvest—are key to livestock nutrition when appropriately preserved.
A Call to Action
Professor Addah urged the government to:
Regulate bush burning to protect feed resources
Support farmers with training on residue conservation
Invest in appropriate technologies to improve ruminant nutrition
He concluded by emphasizing that “land, feed, and cattle are all part of the climate equation.” With the right policies, Ghana could not only lower emissions but also improve livelihoods.
Tamale, Ghana – The Choggu Traditional Authority has removed a sub-chief from his position following shocking allegations of goat theft. This act has stirred widespread public reaction in the Tamale Metropolis.
Salamba Kukuo Naa, known in private life as Abdallah, was officially deskinned last Thursday by N-Yab Choggu Naa Mahamadu, the senior-most chief under the Gulkpegu Paramountcy. The decision came after the sub-chief was reportedly caught red-handed with slaughtered pregnant goats and later confessed to the crime.
The incident, which has since gone viral across local media and community discussions, has led to widespread condemnation and concern about the integrity of chieftaincy in the region.
“Stealing is abhorred in every sphere of life. It is an abomination for a chief to engage in such acts, which are against our culture and tradition,” Choggu Naa declared. “That is why I have decided to deskin him.”
According to the traditional leader, the conduct of the former chief undermines the sacred responsibilities of Dagbon chieftaincy, where integrity is a non-negotiable value.
“I enskinned the Salamba chief, and he in turn enskinned Kukuo Naa. Therefore, I declare that he is no longer Salamba Kukuo Naa. When a suitable candidate is found, we will confer the title accordingly,” he added.
Salamba Kukuo Naa, who served under the Choggu Traditional Area in Tamale, is suspected of being involved in livestock theft over a prolonged period before being apprehended.
The deskinment has sparked broad public discussion, with many residents expressing shock and disappointment over the disgraced chief’s alleged misconduct.
The Resident Representative of the United Nations Development Programme (UNDP) in Ghana, Mr. Niloy Banerjee, has emphasized the crucial role of the private sector in transforming Ghana’s economy and creating jobs, particularly for young people and women in Northern Ghana.
Speaking at the Private Sector Investment Forum in Northern Ghana, held in Bolgatanga, Mr. Banerjee underscored that while governments facilitate growth, real job creation is driven by small and medium enterprises (SMEs).
“In most countries, SMEs account for 80 to 90 percent of all employment. Africa’s youth bulge means not everyone will work in an office, but everyone has the potential to be an entrepreneur—creating jobs not only for themselves but for others,” he noted.
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A Call for Strategic Investment and Ecosystem Building
The forum, themed “Accelerating Local Development Through Private Sector Investment and Partnership,” brought together stakeholders from government, the private sector, civil society, and development partners. Organized by the Upper East Regional Coordinating Council and the National Development Planning Commission (NDPC), the event is part of a UN Peacebuilding Fund initiative being implemented by the UNDP and UNFPA.
Participants highlighted both the untapped economic potential and the structural challenges in Northern Ghana, including limited investment, high unemployment, climate vulnerability, and multidimensional poverty. According to the Ghana Statistical Service, some areas in Northern Ghana face poverty rates exceeding 60%, with women and youth disproportionately affected.
“We need infrastructure like cold storage, stable electricity, and improved market access to unlock entrepreneurship,” Mr. Banerjee added. “I pray Ghana builds the ecosystem that allows its entrepreneurs to flourish.”
Investment Readiness Tools and Local Government Transformation
Dr. Audrey Amoah Smock, Director-General of the NDPC, urged Metropolitan, Municipal, and District Assemblies (MMDAs) to reposition themselves as entrepreneurial facilitators rather than mere administrators. She revealed that the NDPC, in collaboration with the UNDP, has rolled out an “investment toolkit” to help district assemblies assess their investment readiness, identify high-potential sectors, and develop pitches for private investors.
“This toolkit will serve as a blueprint for real transformation,” Dr. Smock explained.
Mr. Ibrahim Ahmed, Minister for Local Government, Decentralisation and Rural Development, echoed the call for effective local leadership and outlined key government initiatives designed to stimulate private sector growth. These include:
The Adumawura Programme supports 10,000 youth-led enterprises annually through training, mentorship, startup capital, tax incentives, and market access.
The Feed Ghana Programme aimed at agricultural self-sufficiency, and
The 24-Hour Economy Initiative is designed to boost productivity and service delivery.
He encouraged SMEs to take full advantage of these programs.
A Turning Point for Northern Ghana
Mr. Roland Ayoo, Bolgatanga Municipal Chief Executive, described the forum as a “milestone moment” for unlocking the region’s rich human and natural resource potential through investment and strategic partnerships.
The forum ultimately served as a platform for aligning development goals, showcasing opportunities, and mobilizing investment for inclusive and sustainable growth in Northern Ghana.
The International Union for Conservation of Nature (IUCN) has launched the second phase of its flagship land restoration initiative in Ghana, aiming to combat environmental degradation and promote sustainable livelihoods in the Sahel region.
Dubbed “Sahelian Landscapes, a Land of Opportunities – Widen Proven Furrows (LOGMe II)”, the three-year project builds on the successes of LOGMe I (2020–2024), which was implemented in Ghana, Burkina Faso, and Niger. LOGMe II expands to include Benin and Senegal, targeting communities most affected by climate change and land degradation.
A Regional Vision for Resilience
LOGMe II is part of a broader regional strategy to position land as a driver of climate resilience, economic opportunity, and social empowerment. It is funded by the Italian Ministry of the Environment and Energy Security through the UNCCD Global Mechanism.
In Ghana, the project will benefit 16 communities across four districts: Talensi, Bawku West, Builsa South (Upper East Region), and Sissala East (Upper West Region). The project is being implemented by IUCN in partnership with A Rocha Ghana, CSIR-SARI, the Environmental Protection Agency, and the Ministry of Food and Agriculture.
Building on Success: From Hectares to Livelihoods
LOGMe successfully restored over 3,700 hectares of degraded land and strengthened green value chains, including those for honey, shea, and soy-based products, thereby enhancing food security and access to renewable energy for local communities.
“Degraded lands are not just environmental crises—they are development, livelihood, and security issues,” said Ms Dorcas Owusuaa Agyei, National Coordinator of the IUCN Ghana Project Office. “LOGMe II marks a renewed commitment to turn landscapes into engines of resilience and prosperity.”
Community-Driven Restoration and Empowerment
LOGMe II will focus on:
Inclusive, community-led land restoration
Scaling up climate-smart green value chains, especially for women and youth
Strengthening local governance systems to align with national and global restoration targets
It supports Ghana’s Land Degradation Neutrality (LDN) commitments. It aligns with UNCCD’s Strategic Framework and SDG 15.3, which calls for a land-degradation-neutral world by 2030.
“Land restoration is more than planting trees. It’s about restoring dignity, creating opportunity, and building resilience,” Ms Agyei added.
Partnership and Commitment for Greater Impact
Ms Felicite Chabigonni, Regional Coordinator for LOGMe II, commended donors and emphasised the importance of collective action in achieving sustainable outcomes.
Mr Isaac Kofi Notri of A Rocha Ghana said the project would work closely with local communities to ensure that land-use practices generate sustainable and equitable benefits.
Dr Iddrisu Yahaya, Principal Investigator at CSIR-SARI, urged beneficiary communities to remain committed and cooperative, noting that success depends on building on gains from Phase I.
Talensi District Chief Executive, Mr John Millim Nabwomya, noted that the Assembly will integrate aspects of the project into its Medium-Term Development Plans to sustain its impact.
LOGMe II represents a strategic shift toward restoring not just land but livelihoods, helping communities across Northern Ghana thrive in the face of climate and economic challenges.
The Northern Region has taken a significant step forward in its sanitation drive following the presentation of waste management trucks by Zoomlion Ghana Limited to bolster environmental cleanliness and public health.
The Northern Regional Minister, Hon. Ali Adolf John Mburudiba, received the trucks on behalf of the chiefs and people of the region. The trucks will be allocated to various Metropolitan, Municipal, and District Assemblies (MMDAs) to strengthen their sanitation and waste disposal capacity.
Hon. Mburudiba expressed profound gratitude to Zoomlion for the timely intervention, assuring that the vehicles would be used responsibly and for their intended purpose.
“This support will go a long way to enhance our sanitation infrastructure and promote a cleaner, healthier Northern Region. We will ensure these trucks are well-maintained and effectively deployed,” the Minister affirmed.
Strengthening Local Waste Management
The initiative aligns with broader government efforts to address waste management challenges in the north and improve living standards across communities.
The Regional Minister urged the MMDAs to adopt sustainable maintenance practices and efficient operations to maximize the benefits of the new trucks.
“Sanitation is key to development. Clean environments foster better health and productivity,” he added.
Public-Private Collaboration for Development
The donation underscores Zoomlion’s ongoing commitment to supporting local governments in their efforts to improve sanitation. The partnership reflects a growing trend of private sector engagement in regional development across Ghana.
The Honourable Mburudiba commended the synergy between the government and private stakeholders, noting that such collaborations are vital for accelerating progress in sanitation and public health.
“It is through initiatives like this that we can collectively uplift our region and improve the quality of life for all residents,” he emphasized.
With this support, the Northern Region is poised to make measurable gains in sanitation, environmental protection, and public health outcomes, setting an example for sustainable waste management in other parts of the country.